4 Dicembre 2018

CfP: Gender and the Graphic Novel, Barcelona, 8 March 2019

2nd Pop@UBarcelona Symposium: Gender and the Graphic Novel 8 March 2019, Aula Magna, Universitat de Barcelona In celebration of International Women’s Day, the Department of Modern Languages and Literatures and English Studies at the Universitat de Barcelona invites proposals for panels and papers on any aspect of gender and the graphic novel or comics. This one-day symposium is both an academic and a outreach event, intended for researchers, secondary school students, and the general public. Papers should be lively and accessible to non- specialists. The official languages of the symposium are English, Spanish, and Catalan: English-studies specialists are encouraged to submit abstracts, and deliver their papers, in English. Possible topics included: • Women creators in comics and graphic novels • Superheroines (and superheroes) and bodies • Gender and re-worked graphic characters • Gender and graphic novel readerships/fandom • Gender and graphic genres • Gender and comic/graphic novel publishing houses • Gender-swapping characters (e.g. in cases of retroactivity continuity) • Comics and intersectionality (cue Ms Marvel) • Gender and mutants/aliens Abstracts of 150-250 words should be sent, in English, Spanish, or Catalan, to john.stone.bcn@gmail by 15 December 2018. A selection will be made by 20 December 2018. Abstracts should include the author’s or authors’ name(s) and affiliation, title, and 3-5 keywords, as well as the abstract proper.

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CfP: “Enter the Crowd”. Mass Communication in Early Modern England. Florence, 12 April 2019

Call for Papers “Enter the Crowd” Mass Communication in Early Modern England Florence, 12 April 2019 The 2019 IASEMS Graduate Conference at The British Institute in Florence is a one-day interdisciplinary and bilingual English-Italian forum open to PhD students and researchers who have obtained their doctorates within the past 5 years. This year’s conference will focus on the multifaceted connections between communication and the crowd in early modern English literature, language and culture. John Stow’s A Survey of London (1598) provides a narrative of a crowded city whose identity was being shaped by masses of people arriving from outside the city boundaries. In the early modern period, the crowd is associated with contradictory ideas of uniformity and disorder, coherence and monstrosity, and with potential sovereignty. It embodies a cultural space of variability and instability, reflecting contemporary social and political anxieties. In a context shaped by urgent nationalistic political agendas, public communication and rhetoric played a vital role. To investigate the nexus between communication and the crowd means to explore arenas of debate and political control, representations of collective identities and leadership, but also networks of relationships. The theatre was itself a potent medium of mass communication. The goal of this Conference is to develop an understanding of the various ways in which the tie between public communication, politics and collective identity is inscribed in early modern English literature and culture. Topics of interest include, but are not limited to the following: – representations of the crowd in early modern writing – rhetoric and politics in theoretical treatises – the rhetoric of public communication in proclamations, speeches, sermons – public discourse and the construction of class, gender, national identity – church regulations, the construction of the citizen(s), and dissenting voices – communication and mass control in drama – language as instrumentum regni – narrative strategies in polemical writing – rhetoric and propaganda across genres – visual propaganda – representations of mass leaders and historiography – shaping/questioning collective identities – the orator and popularity – theatre, communication and audiences – crowds, networks and urban spaces in early modern writing Select Bibliography: Anderson B., Imagined Communities: Reflections on the Origins and Spread of Nationalism, London, Verso, 1983. Hopkins, L., The Cultural Uses of the Caesars on the English Renaissance Stage, Aldershot, Ashgate, 2008. Low, J, Myhill, N. (eds), Imagining the Audience in Early Modern Drama 1558-1642, New York, Palgrave Macmillan, 2011. Munro, I., The Figure of the Crowd in Early Modern London: The City and its Double, New York, Palgrave Macmillan, 2005. Peltonen M., Rhetorics, Politics and Popularity in Pre-revolutionary England, Cambridge, Cambridge University Press, 2012. Richards J., Thorne A. (eds), Rethoric, Women and Politics in Early Modern England, London-New York, Routledge, 2006. Shepard A., Withington P. J., Communities in Early Modern England: Networks, Place, Rhetoric, Manchester, Manchester University Press, 2000. Shnapp J., Tews M. (eds), Crowds, Stanford, Stanford University Press, 2006. Stage K., Producing Early Modern London: a Comedy of Urban Space, 1598-1616, Lincoln, University of Nebraska Press, 2018. Candidates are invited to send a description of their proposed contribution according to the following guidelines: – the candidate should provide name, institution, contact info, title and a short abstract of the proposed contribution (300 words for a maximum 20-minute paper), explaining the content and intended structure of the paper, and including a short bibliography; – abstracts are to be submitted by Sunday 23 December 2018 by email to giuliana.iannaccaro@unimi.it and lucabaratta85@gmail.com; – all proposals will be blind-vetted. The list of selected papers will be available by Monday 7 January 2019; – each finished contribution should not exceed 20 minutes and is to be presented in English (an exception will be made for Italian candidates of departments other than English, who can give their papers in Italian); – candidates whose first language is not English will need to have their proposals and final papers checked by a mother-tongue speaker; – participants will be asked to present a final draft of the paper ten days before the Conference. Selected speakers who are IASEMS members can apply for a small grant (http://www.iasems.org/?page_id=2) For further information please contact Luca Baratta (lucabaratta85@gmail.com)

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AIA SEMINAR: “Translation: Theory, Description, Applications”, Bari 4-6 April 2019

AIA SEMINAR “Translation: Theory, Description, Applications” 4-6 April 2019 Centro Polifunzionale Studenti – Piazza Cesare Battisti 1 – Bari Call for Papers In his famous paper “The Name and Nature of Translation Studies,” presented at the 3rd World Congress of Applied Linguistics (Copenhagen, 21-26 August 1972), the Amsterdam-based American literary translator and theorist James Stretton Holmes (1924-1986) outlined the scope and structure of the emerging field of research concerned with the theory, description and praxis of translation. Holmes shared his vision of the new discipline at a time when linguistic-oriented approaches to translation study had been elaborated, and the practice-oriented North American workshop approach to literary translation had been developing in American universities since 1963. Today, the world status of English and its leading role in the international translation system are interrelated socio-cultural phenomena that characterize the era of globalization, and are reflected in the rapid growth of Translation Studies as an interdisciplinary field of scholarly enquiry and practice. The last two decades in particular have witnessed a steady rise in the number of undergraduate and graduate translation programmes worldwide together with the publication of dedicated journals, general overviews, reference works, anthologies, textbooks, and bibliographies. As we approach the fifth decade since the foundation of Translation Studies, it is important to reflect on the state of the art of the academic study of English and translation. This is a broad research area that is attracting scholars in fields as varied as literary theory, cultural studies, linguistics, pragmatics, history, critical discourse analysis, philosophy, politics, journalism, multilingualism, educational linguistics, anthropology, sociology, and film studies. Against this backdrop, the 2019 AIA Seminar will focus on three research domains from a contemporary and an historical perspective: Literary Translation, Translation and Culture, and Language and Translation. The call is open to early career scholars, including PhD students, post-doc fellows and temporary researchers (RTD-A and RTD-B). To encourage lively and productive exchanges, written papers will be circulated in advance and presentations will be short – 10 minutes – followed by a 30-minute discussion. The programme will include a number of invited speakers. A selection of papers will be published. Topics for presentations might include, but are not limited to: LITERARY TRANSLATION TRANSLATION AND CULTURE LANGUAGE AND TRANSLATION Fictional and non-fictional prose Social context, ideology and translation Text analysis and translation Poetry Translation and colonialism Discourse analysis and translation Children’s literature Cultural translation Genre analysis and translation Comics, the graphic novel and fan fiction Cultural resistance Stylistics and translation Theatre Museums and cultural representations Language and translation in film, news media, and on the web Biographies and memoirs Translation and culture in professional settings: legal, medical, scientific, international relations, media and journalism, business, and education ESP and translation If you wish to participate, please, send a 300-word abstract and title by 31 January 2019 to Sara Laviosa (sara.laviosa@uniba.it), Maristella Gatto (maristella.gatto@uniba.it) and Segreteria AIA (segreteria@anglisti.it). A preliminary programme and dedicated webpage will be available soon. For information, please write to sara.laviosa@uniba.it.

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