Due giorni per riflettere sui molti modi in cui narrazione, arte e malattia possono intrecciarsi in un paradigma artistico efficace, che colmi i vuoti terapeutici e ci aiuti a restare umani. Le ali di Icaro, all’Università degli Studi di Milano. In collaborazione con AIA, Altre Modernità e il Centro di Ricerca Coordinato Criminal Hero.
The Taboo Conference series (TaCo) is an interdisciplinary conference aimed at bringing together scholars of various aspects of taboo in a variety of academic fields. The project was originated at the Department of Interpretation and Translation of the University of Bologna, Italy, where the first edition was held in 2012. The following editions were held every two years in Durham (UK), Barcelona (Spain) and Bertinoro (Italy). For its fifth installment the conference will be held in Rome. We hope you’ll be able to join us next year to discuss all the multifaceted ramifications of taboo in language, culture and communication. For the Organizing Committee, Daniela Guardamagna CFP: In a world that seems continuously to be stretching the line of what is acceptable to the inhabitants of specific linguistic and cultural contexts, this interdisciplinary conference acknowledges the importance of investigating taboos and their reinforcement/breaking in various areas of language, culture, literature and society, and across different cultures. We propose to explore the delicate balance and subtle boundaries between the need for inclusion and respect for different ethnic, religious, sexual backgrounds – which seem to be at the basis of modern multicultural societies – and a conscious (or unconscious) push towards the breaking of existing taboos, for example for shock value, as in the case of comedy and art. In such contexts, investigation of the linguistic, cultural, social, institutional and personal implications of taboo reinforcement/breaking appears of extreme value. For its 5th edition, the Taboo Conference series will specifically address the intricacies of taboo in language, culture, literature and communication in its various occurrences from the points of view of production, performance, and perception/reception. The subject of taboo in language, culture, literature and communication seems to have become especially relevant in the last few years, in which political correctness at both the institutional and individual level has been seen, on the one hand, as a crucial tool in protecting people from verbal abuse and in preventing the reinforcement of stereotypes and, on the other, as a set of measures and a way of thinking which significantly curtail free speech in many aspects of the public sphere. The 2020 conference seeks to explore the shifting boundaries of the acceptability of taboo in their various incarnations as produced and perceived in today’s multicultural society, from cinema and television, to news, videogames, literature and different kinds of online content. The study of taboo in the past, for example through the medium of literature, is also relevant to the conference. Possible areas of inquiry include, but are not limited to, political orientations and political satire, identity and gender politics, ethnic stereotypes, different kinds of non-normative behaviour, political correctness and the discourse surrounding it, and the debate between real and perceived offense through comedy. We welcome individual proposals or pre-organized panels from different disciplines pertaining – but by no means limited – to the following thematic areas and their intersections in various mediatic forms: Sex and sexuality (e.g. nudity, non-normative sexual practices, pornography) Racism and sexism (e.g. white supremacy, gender discrimination, transphobia) Death and dying (e.g. mortality, ageing, funerals and burials, fatal accidents) Sickness, disability, and deformity Scatology (e.g. excreta/effluvia) Politics (e.g. political corruption, political incorrectness, prejudice, gender discrimination) Religions and blasphemy (rituals, prejudice, afterlife) Addiction Money (greed, graft, exploitation, waste, extravagance, poverty) Changing social attitudes towards violence, exploitation and abuse (prostitution, slavery, trafficking, rape, children’s rights) Censorship, reactions to it, and its effects. http://taco2020.grupposymposia.it/
Il seminario dal titolo “La traduzione letteraria: il paratesto”, con un’introduzione della Prof.ssa Sara Laviosa e a cura del Dott. Marco Barletta, avrà luogo il 2 dicembre 2019 dalle ore 14.00 alle ore 16.30 presso la Biblioteca “Gaetano Ricchetti” (Via Sparano, 145 – Bari). In tale occasione, dopo una breve introduzione teorica sul nesso tra paratesto e traduzione letteraria, si svolgerà un’attività di analisi degli elementi paratestuali di alcune opere a cui le/i partecipanti prenderanno parte con l’uso di testi letterari tratti da opere di prosa in traduzione italiana e conservate presso la Biblioteca “G. Ricchetti” di Bari. Il seminario, che ha ricevuto il patrocinio dell’Associazione Italiana di Anglistica (AIA), è aperto a tutte/i fino a esaurimento posti (max. 60 posti). Per info, contattare: marco.barletta@uniba.it. https://www.uniba.it/eventi-alluniversita/2019/la-traduzione-letteraria-il-paratesto
Keynote speaker: Professor Suzanne Raitt, College of William & Mary This international conference explores the diversity of connections, inspirations and influences in the work of modernist writer, May Sinclair (1863-1946). It will be held at the University of Nantes (France) on Thursday 18th and Friday 19th June 2020. In the first two decades of the twentieth century, May Sinclair was one of the most successful and widely known of British women novelists (Wilson, 2001). She produced over twenty novels and six collections of short stories and collaborated with many modernist writers and poets, including Ford Madox Ford, Ezra Pound, T. S. Eliot, H.D. and Richard Aldington. Her life was also exceptionally rich. She took an active part in the women’s suffrage movement and published several pamphlets for women’s rights between 1908 and 1917. In the early 1910s, she got involved in medico-psychological research, and wrote half a dozen psychoanalytical research papers. In 1915, she spent two weeks near the Belgian front with an ambulance unit and her Journal of Impressions in Belgium was one of the first wartime women’s diaries published in Britain (Raitt 2000, 163). She was also the acclaimed author of two major philosophical essays on idealism (1917 and 1922) that led to her election to the Aristotelian Society. Last, she was an influential literary historian and literary critic and wrote several much-quoted articles and prefaces on the stream of consciousness, the Brontë sisters and imagist poetry. Many reviewers and critics have shown that May Sinclair’s modernism was not so much a derivation of other contemporary aesthetics but was rather a product of her idiosyncratic articulation of her many research interests and experiences. In addition, “the interdisciplinarity of Sinclair’s output […] eludes straightforward categorisation and this has arguably contributed to the traditional critical neglect of her writing” (Bowler & Drewery 2016, 1). As May Sinclair is now “gaining critical legitimacy” (Raitt 2016, 23), this conference seeks to explore Sinclair’s texts and contexts and aims to shed light on her place in literary history and on her contribution to “the radical modernist challenge to traditional assumptions about what it means to be human” (Bowler & Drewery 2016, 14). Papers comparing Sinclair and other writers are thus particularly welcome; suggested topics might include (but are not limited to): May Sinclair and her contemporaries: Thomas Hardy, Henry James, H. G. Wells, D. H. Lawrence, Ford Madox Ford, Charlotte Mew, H. D., Richard Aldington, T S. Eliot, Ezra Pound, Virginia Woolf, Dorothy Richardson, Katherine Mansfield, Elizabeth Bowen, Mary Butts, Olive Moore etc. May Sinclair and modernity/the modern/modernism May Sinclair & WW1 writers May Sinclair and Victorian and late nineteenth-century authors: the Brontë sisters, George Eliot, George Meredith etc. May Sinclair and romantic poets: Shelley, Byron etc. May Sinclair and philosophy: Henri Bergson, Bertrand Russell, Baruch Spinoza, T. H. Green, Arthur Schopenhauer, Samuel Butler, Francis Herbert Bradley etc. May Sinclair and psychology: William James, Sigmund Freud, C. G. Jung, Pierre Janet, Melanie Klein, Ella Sharpe, Joan Riviere, Alfred Adler, Charles Myers etc. May Sinclair and mysticism: Evelyn Underhill, the Society for Psychical Research, etc. May Sinclair and first-wave feminism Contemporary reception of May Sinclair May Sinclair and her literary legacy May Sinclair in translation May Sinclair and music May Sinclair and films or TV adaptations Proposals no longer than 350 words, together with a 200-word biography, should be sent to the conference organisers before January 15th, 2020. Conference organisers: Leslie de Bont, Université de Nantes leslie.debont@univ-nantes.fr Isabelle Brasme, Université de Nîmes isabellebrasme@gmail.com Florence Marie, Université de Pau florence.marie@univ-pau.fr CFP: Networking May Sinclair / Les réseaux littéraires de May Sinclair | Université de Nantes, 18th-19th June 2020