Nome dell'autore: Anglistica

Call for Applications: Up to 5 Grants (Travel and Accommodation) for Ph.D. students or post-docs for Participation in the Villa Vigoni Symposium: “Citizenship, Law and Literature,” Villa Vigoni, Loveno di Menaggio (CO), Italy, 25-28 March, 2019 Coordinators: Prof. Annalisa Oboe (Padua) and Prof. Klaus Stierstorfer (Muenster) Deadline: 8th February, 2019 Vigoni Talks, sponsored in cooperation with the Deutsche Forschungsgesellschaft (DFG), is a unique scholarly format promoting international, and especially Italian-German, collaboration in research, education and culture in a European spirit. Young scholars (doctoral or post-doctoral level) are invited to apply for participation in the upcoming Vigoni Talks on “Citizen-ship, Law and Literature,” which will explore current formations of European citizenship from an interdisciplinary law-and-literature perspective. The grants cover travel to and accommodation at Villa Vigoni for the duration of the workshop. Successful applicants are invited to present a paper draft (circa 2,000 words) during the Talks, and may be invited to submit a revised paper, based on the draft and the discussions at the workshop, later in summer 2019 for publication in an edited collection. Situated at the intersection of legal studies and literary studies, the “Citizenship, Law and Literature” Talks postulate that contemporary developments like globalization, mass migration and the rise of new social media have triggered radical reconfigurations of classic notions of citizenship. For a long time, modern citizenship denoted national belonging, legal equality and a set of rights and duties to be bestowed by a state on individual members of a society. Yet in recent decades, new forms of global mobility and transnational political participation have exposed the limits of such a paradigm. In Europe, this shift has become particularly evident in the new millennium under the impact of massive migration and refugee movements into the European South, and more recently into North-western countries like Austria and Germany. Following these developments, interdisciplinary scholarly investigations of citizenship are now called upon to explore a variety of interdependent issues ranging from (top-down) juridical prescriptions regarding political citizenship to the (bottom-up) cultural and literary performance of citizenship in local and global contexts. To apply for participation in the event and a travel and accommodation grant, please send a 300-word proposal in line with this scholarly and thematic outline as well as a short CV to Dr. Elisa Bordin (University of Padua) by 8th February, 2019: eli.bordin@unipd.it

6th International Symposium on History of English Lexicography and Lexicology (HEL-LEX.6) CALL FOR PAPERS The sixth International Symposium on History of English Lexicography and Lexicology will take place on 26-29 June 2019 in the Palazzo Feltrinelli, the University of Milan’s conference centre in Gargnano on Lake Garda, Italy. Organized by the Dipartimento di Lingue e Letterature Straniere of the University of Milan in association with the Helsinki Society for Historical Lexicography, the Symposium will focus, as its monograph strand, on the history of English specialized lexicography (i.e., scientific and technical glossaries and dictionaries, pronouncing dictionaries, dictionary of phraseology, slang and cant dictionaries, etc.), but it will also deal with any topic related to the history of English lexicography, historical semantics and lexicology. A number of first-class experts in the field – among them, Michael Adams, John Considine, Sarah Ogilvie, and Rod McConchie – will contribute to the Symposium programme. A collection of selected papers will be published: please note that a call for submission will allow only about four months after the Symposium to revise and complete papers for publication. The programme committee invites submissions of one-page abstracts that should be emailed as an attachment (docx or rtf formats) to giovanni.iamartino@unimi.it and hel-lex.6@unimi.it by 17 February 2019. Please, be sure to include your professional affiliation, address, phone number, and email address. Information on registration, local arrangements and conference activities will soon be available at https://blogs.helsinki.fi/hellex-society.

*** REMINDER *** Deadline approaching – 15th February 2019 6th Annual Conference of the International Crime Fiction Association Captivating Criminality 6: Metamorphoses of Crime: Facts and Fictions 12-15 June 2019 G. d’Annunzio University of Chieti-Pescara, Italy Call for Papers The Captivating Criminality Network is delighted to announce its sixth conference, which will be held in Italy. Building upon and developing ideas and themes from the previous five successful conferences, Metamorphoses of Crime: Facts and Fictions will examine the ways in which Crime Fiction as a genre incorporates elements of real-life cases and, in turn, influences society by conveying thought-provoking ideas of deviance, criminal activity, investigation and punishment. Since its inception, the genre has drawn inspiration from sensational crime reports. In early nineteenth-century Britain, for example, Newgate novels largely drew on the biographies of famous bandits, while penny dreadfuls popularized the exploits of criminals and detectives to appeal the taste for horror and transgression of their target audience. In similar ways, notorious cases widely reported in the mid-Victorian press, such as the Road Murder (1860) or the Madeleine Smith trial (1857), exerted a significant influence on the imagination of mid- to late-Victorian novelists, including early practitioners of the sensation genre who laid the premises for the creation of detective fiction. In other cases, criminal actions were triggered by literary texts or turned into appealing fictions by journalists. Suffice it to consider the sensation created by Jack the Ripper’s murders in late-Victorian Britain or the twentieth-century recent cases of murders committed by imitators of criminals and serial killers featured in novels like A ClockWork Orange (1962), The Collector (1963), Rage (1977), and American Psycho (1991). In more recent times, the interaction between reality and other media (TV series, films, computer games, websites, chats, etc.) has raised the question of how crime continues to glamorize perturbing, blood-chilling stories of law-breaking and law-enforcement. In addition to exploring these complex relations between facts and fictions, the conference will focus on the metamorphoses of crime across media, as well as cultural and critical boundaries. Speakers are invited to explore the crossing of forms and themes, and to ascertain the extent to which canonized definitions suit the extreme volatility of a genre that challenges categorization. From an ideological viewpoint, moreover, crime fiction has proved to be highly metamorphic, as it has been variously used to challenge, reinforce or simply interrogate ideas of ‘law and order’. The enduring appeal of the genre is also due to its openness to historical and cultural movements – such as feminism, gender studies, queer politics, postmodernism – as well as to concepts drawn from specific fields of knowledge, such as sociology and psychology. Similarly relevant to the ‘metamorphoses of crime’ are cultural exchanges among remote areas of the world, which add new perspectives to the genre’s representation of customs and ethnical issues. Scholars, practitioners and fans of crime writing are invited to participate in this conference that will address these key elements of crime fiction and real crime, from the early modern to the present day. Topics may include, but are not restricted to: • True Crime, Fictional Crime • Crime Reports and the Press • Real and Imagined Deviance • Adaptation and Interpretation • Crime Fiction and Form • Generic Crossings • Crime and Gothic • The Detective, Then and Now • The Anti-Hero • Geographies of Crime • Real and Symbolic Boundaries • Ethnicity and Cultural Diversity • The Ideology of Law and Order: Tradition and Innovation • Gender and Crime • Women and Crime: Victims and Perpetrators • Crime and Queer Theory • Film Adaptations • TV series • Technology • The Media and Detection • Sociology of Crime • The Psychological • Early Forms of Crime Writing • Eighteenth-Century Crime • Victorian Crime Fiction • The Golden Age • Hardboiled Fiction • Contemporary Crime Fiction • Postcolonial Crime and Detection Plenary speakers will be Eric Peter Sandberg (City University of Hong Kong) and Maurizio Ascari (University of Bologna). Please send 200 word proposals to Professor Mariaconcetta Costantini and Dr Fiona Peters to the following email account: captivatingcriminality6@unich.it by 15th February 2019. The abstract should include your name, email address, and affiliation, as well as the title of your paper. Please feel free to submit abstracts presenting work in progress as well as completed projects. Postgraduate students are welcome. Papers will be a maximum of 20 minutes in length. Proposals for suggested panels are also welcome. . TRAVEL AND CONFERENCE VENUE INFORMATION G. d’ Annunzio University of Chieti-Pescara is located in Abruzzo, Central Italy. One part of the campus is in Chieti on the Abruzzo hills. The other part, which will be the main venue of the conference, is in Pescara. The Pescara campus, which is near the city center, is very close to the Adriatic coast and the pinewood celebrated by poet Gabriele D’Annunzio in his verse. Pescara is the biggest city in the region of Abruzzo, and it boasts a vibrant cultural life, with an important jazz festival (Pescara Jazz Festival), a national literary festival (Festival delle Letterature dell’Adriatico), and an international film festival and competition (Flaiano Film Festival and International Awards). The city has a small airport with direct connections to London Stansted, which might be a useful option for those of you travelling from the UK (Ryanair flight). There are also some Ryanair flights from other European cities). Anyone planning to travel from British and Continental cities can consider taking a flight to Rome and then take a bus to Pescara (we advise against travelling by train, since the connections are complicated and it takes longer than the bus). You can check timetables and prices on the following website (for connections from either Fiumicino or Ciampino airports): https://booking.prontobusitalia.it/public/ricerca.jsf?lang=en https://www.flixbus.co.uk/ or on the website http://www.dicarlobus.it/ (only for buses departing from Fiumicino) CONFERENCE FEES € 110 (euro) € 80 (euro): students Fees include: 6 coffee breaks, 2 light buffet lunches, 1 conference dinner. A second optional dinner will be organized (costs: about € 25). Delegates will

CONVEGNO: William Shakespeare e il senso del comico, Palazzo Du Mesnil, Via Partenope 10/A Via Chiatamone 61/62 9-10 gennaio 2019 organizzazione: Simonetta De Filippis Mercoledì 9 gennaio h. 9.30 Saluti delle Autorità 1. Il senso del comico Presiede: MARINA VITALE SIMONETTA DE FILIPPIS: “Shakespeare e il senso del comico” LAURA DI MICHELE: “Il comico shakespeariano tra ambivalenza e mutevolezza” MARIA LAUDANDO: “Da Falstaff a Yorick. Il corpo e il fantasma della vis comica shakespeariana” STEFANO MANFERLOTTI: “Le cinquanta sfumature del nero. Ironia e black humour in Shakespeare” h. 11.30-12.00 Pausa caffè Presiede: MARA DE CHIARA ROBERTO D’AVASCIO: “Le commedie velenose di Shakespeare” ANNAMARIA SAPIENZA: “Il viaggio di Falstaff: transcodificazione di un fool” PAOLO SOMMAIOLO: “La forza comica e perturbante del Sogno di una notte di mezza estate nei recenti allestimenti del Teatro dell’Elfo” h. 14.00 -16.00: Pausa pranzo h. 16.00 Il mercante di Venezia Regia: LAURA ANGIULLI Teatro Galleria Toledo Via Concezione a Montecalvario 34 Giovedì 10 gennaio h. 9.30 2. I modi del comico Presiede: MARIA TERESA CHIALANT ANNA MARIA CIMITILE: “La commedia The Merchant of Venice” ROSSELLA CIOCCA: “Tra farsa e commedia. L’antropologia patriarcale di The Taming of the Shrew” GIUSEPPE DE RISO: “I ‘luoghi’ del desiderio e riconfigurazioni dello sguardo nelle commedie di Shakespeare” LORENZO MANGO: “Il comico come controdiscorso del senso” h. 11.00-11.30: Pausa caffè h. 11.30 3. I linguaggi del comico Presiede: ANNAMARIA LAMARRA BIANCA DEL VILLANO: “Touchstone, flyter (s)cortese” AURELIANA NATALE: “Il Co-mix shakespeariano: generi e linguaggi tra parole e immagini” ANTONELLA PIAZZA: “Esilio e ‘comic mode’ in Cymbeline”

In linea con la politica di sostegno dell’attività scientifica dei giovani ricercatori che hanno aderito all’Associazione, il Consiglio Direttivo IASEMS è lieto di annunciare che anche quest’anno sono stati messi a disposizione dei soci junior (studenti magistrali, dottorandi, addottorati, assegnisti, contrattisti), in regola con la quota di iscrizione IASEMS: N. 8 borse dell’importo di 150 euro riservate ai soci junior che parteciperanno attivamente (ovvero presentando un paper o partecipando allo Young Scholars’ Workshop): • alla Graduate Conference di Firenze presso il British Institute (12 aprile 2019, “Enter the Crowd”. Mass Communication in Early Modern England). • oppure all’ottavo convegno annuale dell’Associazione presso l’Università degli Studi di Genova (22-24 maggio 2019, Plagiarism, Imitation and Borrowing in Early Modern England). Le richieste dovranno essere inviate per posta elettronica entro il 31 gennaio 2019 al Segretario (iolanda.plescia@uniroma1.it) e alla Presidente (giuliana.iannaccaro@unimi.it), indicando titolo del paper e sede di presentazione (Firenze o Genova). Le borse verranno erogate a convegno avvenuto su richiesta dei vincitori della borsa. I vincitori sono tenuti a partecipare per l’intera durata del convegno. Verrà data comunicazione dell’attribuzione delle borse entro il 28 febbraio 2019. Il Direttivo IASEMS

“Of Bought Wit”: Plagiarism, Imitation and Borrowing in Early Modern England The Tenth IASEMS Conference Università degli Studi di Genova, 22-24 May 2019 Wit is never good till it be bought. Thy wit is dear bought, and yet stark nought. John Heywood, Epigrams upon Proverbs, xiv (1562) Early modern textuality seems directly to point at postmodern and contemporary visions of the text as a site of dynamic and multiple contribution. Given the role played in the foundation of an English national literature by a massive activity of rewriting and translating classical and contemporary foreign literature, early modern texts were also intrinsically inter-systemic and derivative. While early modern English began to come into its own as a national language, its more cultivated speakers felt the need to enrich and systematize its vocabulary mainly through borrowing and translation (a process contrasted by the so-called ‘purists’), so that it might compete with the more prestigious classical and continental languages. Indeed, competition with ancient or current models permeated the literary and cultural domain, and notions of imitation and borrowing were variously debated and practiced. Writers used their sources in a variety of ways, ranging from allusion to quotation to plagiarism; in the absence of legal protection of intellectual property, authorship, as well as co-authorship, was performed within more or less established patterns of literary and cultural production. In a context shaped by religious and political controversy, authorial identity was itself related to contemporary anxieties and experiences of dissimulation. The Tenth Iasems Conference will investigate the various ways in which originality, creativity, appropriation, and borrowing were inscribed in early modern British literature and culture. Proposals meant to explore critical paradigms and counter-paradigms in the approach to early modern textuality and authorship are particularly welcome, as well as papers focused on the relationship between textual theory/practice and the political, religious, philosophical and sociological context in which the debate is situated. Topics of interest include, but are not limited to the following:  imitation and creativity in early modern literature  theories and ethics of textual production  borrowing in literary theory and practice  language policies: borrowing, enrichment, exclusion  translation in theory and practice  the debate on plagiarism  plagiarism on the stage  textual appropriation as discourse and metaphor  textual appropriation and gender  anonymity and authorship as literary practice and strategy  literary debts in manuscripts, unpublished writings  parody and satire  rewriting knowledge in early modern textuality (historiography, treatises, unpublished writings, patchwriting, commonplace books, diaries)  multiple authorship and collaborative writing  publishers, printers, authors  digital humanities and the early modern text Selected Bibliography: Biørnstad H. (ed.), Borrowed Feathers: Plagiarism and the Limits of Imitation in Early Modern Europe, Oslo, Oslo Academic Press, 2008. Clare J., Shakespeare’s Stagetraffic: Imitation, Borrowing and Competition in Renaissance Theatre, Cambridge, Cambridge University Press, 2014. Cook T., Nielson J., Plagiarism and Proprietary Authorship in Early Modern England, 1590-1640, Department of English, University of Toronto, 2011 (PhD Thesis). Hope J., Shakespeare and Language: Reason, Eloquence and Artifice in Early Modern England, London, Arden, 2010. Hug T., Impostures in Early Modern England, Manchester, Manchester University Press, 2013. Kerrigan J., Shakespeare’s Originality, Oxford, Oxford University Press, 2018. Kewes P., Plagiarism in Early Modern England, Basingstoke, Palgrave Macmillan, 2002. North M. L., The Anonymous Renaissance. Cultures of Discretion in Tudor-Stuart England, Chicago, University of Chicago Press, 2003. Orgel S., The Authentic Shakespeare, and Other Problems of the Early Modern Stage, London-New York, Routledge 2002. Randall M., Pragmatic Plagiarism. Authorship, Profit and Power, Toronto, University of Toronto Press, 2001. Terry R., The Plagiarism Allegation in English Literature from Butler to Sterne, Basingstoke, Palgrave Macmillan, 2010. Van Es B., Shakespeare in Company, Oxford, Oxford University Press, 2013. Wells S., Shakespeare and Co: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher and the Other Players in His Story, London, Allen Lane, 2006. White H. O., Plagiarism and Imitation during the English Renaissance. A Study in Critical Distinctions, New York-London, Frank Cass, 1963. We welcome proposals for twenty-minute papers (maximum). Please send a 500-word abstract and 200-word curriculum vitae by 20 December 2018 to: Luca Baratta: lucabaratta85@gmail.com Giuliana Iannaccaro: giuliana.iannaccaro@unimi.it

2nd Pop@UBarcelona Symposium: Gender and the Graphic Novel 8 March 2019, Aula Magna, Universitat de Barcelona In celebration of International Women’s Day, the Department of Modern Languages and Literatures and English Studies at the Universitat de Barcelona invites proposals for panels and papers on any aspect of gender and the graphic novel or comics. This one-day symposium is both an academic and a outreach event, intended for researchers, secondary school students, and the general public. Papers should be lively and accessible to non- specialists. The official languages of the symposium are English, Spanish, and Catalan: English-studies specialists are encouraged to submit abstracts, and deliver their papers, in English. Possible topics included: • Women creators in comics and graphic novels • Superheroines (and superheroes) and bodies • Gender and re-worked graphic characters • Gender and graphic novel readerships/fandom • Gender and graphic genres • Gender and comic/graphic novel publishing houses • Gender-swapping characters (e.g. in cases of retroactivity continuity) • Comics and intersectionality (cue Ms Marvel) • Gender and mutants/aliens Abstracts of 150-250 words should be sent, in English, Spanish, or Catalan, to john.stone.bcn@gmail by 15 December 2018. A selection will be made by 20 December 2018. Abstracts should include the author’s or authors’ name(s) and affiliation, title, and 3-5 keywords, as well as the abstract proper.