Members’ Events

WINTER SCHOOL in Translation Studies: “Translation Today: Technology, Trust and the Role of the Translator”

WINTER SCHOOL in Translation Studies: “Translation Today: Technology, Trust and the Role of the Translator” Dates: 11th-15th December 2023 Place: Ca’ Foscari University, Venice Please check: https://www.unive.it/pag/44649/ for further information Translators need to adapt to new technology in the translation market, like computer-aided tools, machine translation and AI. But how much should we rely on technology versus human skills? The Winter School aims to answer questions relating to technological advancements, creativity and ethical issues in translation by offering practical activities and lectures in 30 academic hours. The event, organised by Ca’ Foscari University, will feature guest speakers Giuliana Garzone (IULM University), Anthony Pym (University of Melbourne and Rovira I Virgili University) Silvia Bernardini and Adriano Ferraresi (University of Bologna, Forlì), David Katan (University of Salento), Giulia Togato and Adrià Martin-Mor (State University of California Long Beach). Further information: https://www.unive.it/pag/44649/

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“Metamorphoses and Fluidity: Ever-Changing Shapes in the Stream of Time”

Title: “Metamorphoses and Fluidity: Ever-Changing Shapes in the Stream of Time” Dates: 7-8 May 2024 Place: Tor Vergata University of Rome Organising committee: TrAdE Group, Department of History, Humanities and Society, Tor Vergata University of Rome Please submit your proposals (max 200 words) to: segreteria.trade@gmail.com by 20 January 2024, and check the website https://gruppotrade-2019.uniroma2.it for full call for papers and other info. Prominent theoretical issues and practices in contemporary Western intellectual cultures have made metamorphosis a desirable area for scholarly study, as the topic is frequently juxtaposed or linked with something that is not only “other”. Metamorphosis, however, not only questions the distinctions between the subject and its “other” or between language and nonlanguage; it also raises issues of definition. As a result, many studies focused on the concept of metamorphosis emphasize epistemological and ontological issues pertaining to the subject’s interaction with the outside world and other people as well as the subject’s understanding of both the subject and the outside world. Another topic that has received much attention in recent studies is metamorphosis as a tropological issue, as it draws from a variety of trope categories, particularly metaphor and metonymy, and yet, as a representation of a startling and seemingly miraculous change, it is also capable of playing with the line between the literal and figurative. The fourth edition of the biannual conference organized by the Research Group TrAdE (Translation and Adaptation from/into English) seeks to explore how translation and adaptation deal with ever-changing literary and linguistic shapes in the stream of time. The transdisciplinary Conference shall be focused on (but not limited to): metamorphosis/fluidity in education and (social) media; in art(s), music, movies, and TV series; in language, literature, linguistics, and translation; metamorphosis/fluidity of style(s) and genre(s).

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“The Travelling Self: Tourism and Life-Writing in Eighteenth-Century Europe”

Title: “The Travelling Self: Tourism and Life-Writing in Eighteenth-Century Europe” Dates: 18-20 July 2024 Place: University of Oxford Organising committee: Catriona Seth (Oxford) and Giovanni Iamartino (Milan) Please submit abstracts in English or French (c. 200 words) by 15 February 2024 to Catriona.Seth@mod-langs.ox.ac.uk and giovanni.iamartino@unimi.it . The eighteenth century saw the invention of modern tourism and a startling proliferation of new kinds of life-writing. This conference will explore how travellers wrote about themselves while they were away from home, and how our historical understanding of the phenomenon of travel – including domestic travel, but focusing on the Grand Tour – has relied on, but also been restricted by, travellers’ own accounts, whether they seek to project a specific image of themselves (public or private, true or self-censored) or are unaware of how much they are giving up. Letters, diaries, journals, travelogues and any kind of personal reminiscences – either real or fictional – may provide textual evidence of the ‘travelling self’. Biotourism, the selves on tour, absent selves and the life-writing of travel are some of the approaches which colleagues might like to envisage. The conference is being planned under the aegis of the British Society for Eighteenth-Century Studies and the Società Italiana di Studi sul Secolo Diciottesimo (who have so far organised six international joint conferences) with the support of the Société Française d’Etude du XVIIIe Siècle, All Souls College Oxford, the Faculty of Medieval and Modern Languages of the University of Oxford, and the Maison Française d’Oxford. A small number of bursaries to cover accommodation costs for unwaged or early career researchers will be provided. If you are applying for one, please indicate your current academic status in your proposal.

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“A Foil to the Hero: Antiheroic Characters in Language, Literature, and Translation”

Title: “A Foil to the Hero: Antiheroic Characters in Language, Literature, and Translation” Date: 4 April 2024 Place: Roma Sapienza University Organising committee: Angelo Arminio, Giovanni Raffa Please write to: giovanni.raffa@uniroma1.it and angelo.arminio@uniroma1.it for full call for papers and deadlines Antiheroic characters have not only embodied a forceful element of rebellion against the status quo, but have also become one of the most prolific and ubiquitous character types in non-literary fiction, to the point of contributing to intertextual awareness (Bruun Vage 2016, p.184) as well as subversively twisting gender-based expectations (Hagelin & Silverman 2022, p. 203). From a linguistic point of view, the figure of the antihero, especially in contemporary texts, raises numerous questions when it comes to its linguistic conformation and its translation. Antiheroes can be recognised as such because of the character’s personality, actions, morality and life choices, but the construction of antiheroic identities also happens by linguistic means (Schubert 2017). Their duality can be made manifest with powerful lexical choices, statements, use of swearings or even the use of peculiar accents or dialects. In turn, these features require effort on the part of the translator, and as the translation process is “the most recognizable type of rewriting” (Lefevere 1992, p. 9), the transfer of antiheroic features can demand creative solutions. The students of the 36th cycle of the PhD Programme in English Literatures, Language and Translation at Sapienza University of Rome invite to engage in a meaningful discussion that revolves around the idea of the antihero in its various forms. Submission deadline for abstracts: 31st January 2024.

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“New Trends in English Studies: Evolving Paradigms”

Title: “New Trends in English Studies: Evolving Paradigms” Dates: 23-24 April 2024 Place: Enna “Kore” University Scientific and organising committee: Annalisa Bonomo, Vivian M. De La Cruz, Laura Diamanti, Fernanda Verçosa, Paola Clara Leotta, Giuseppina Di Gregorio Please submit your proposals (max 300 words, ref. excluded) to: ntesconf@gmail.com by 10 February 2024, and check the website (up from December 2023) https://ntesconf2024.wixsite.com/kore for full call for papers and other info. The epistemics of English Studies has evolved rapidly in the last few decades, shaped by social and cultural changes, and by advances in technology. This leads to new frameworks in Linguistics, Literature, and Cultural Studies, as well as in Translation Studies, “generating traffic across increasingly unstable disciplinary borders” (Knežević 2016: 153). In particular, they intersect with social, cultural, educational, and environmental issues, and address concerns about ethics and social justice, with regard to the environment, ethnicity, gender identity, education, diaspora, migration, identity navigation, inclusivity, multimodality, etc. In light of these considerations, this conference aims to offer, though in a tentative and non-exhaustive manner, a positive forum for a productive collective reflection on possible future(s) for the discipline. Topics may include, without being restricted to, the following: Translation Studies: Being in the Beyond; Critical and Positive Discourse Analysis; Identities and Cultures in Transition; University Language Centres; Literary Studies in English; Sociolinguistics and Language History; Multilingualism and World English(es); English for Specific Purposes and English for Education; Multimodality and Audiovisual Translation.

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Convegno “L2 accent and pronunciation research: acquisition, teaching, attitudes (L2APR)”

Convegno “L2 accent and pronunciation research: acquisition, teaching, attitudes (L2APR)” Venezia, 15-16 novembre 2023 Dei colleghi di Ca’ Foscari segnalano il convegno (in presenza) “L2 accent and pronunciation research: acquisition, teaching, attitudes (L2APR)”, che si terrà presso l’Università Ca’ Foscari Venezia dal 15 al 16 novembre 2023.  Sono ora aperte le iscrizioni per i partecipanti senza contributo. Il link per la registrazione (gratuita) si trova in questa pagina, mentre il programma del convegno è visibile qui. Per ulteriori informazioni, scrivere a L2APRvenezia@unive.it.

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Afterlives of Empire, Università di Roma “La Sapienza”, 21-22 settembre 2023

Ecco il programma del convegno Afterlives of Empire, Università di Roma “La Sapienza”, 21-22 settembre 2023 (solo in presenza) Thursday, 21 September 2023 9.00 Registration 10.00 Opening remarks (room 105) Camilla Miglio (Head of SEAI, Sapienza Università di Roma) and Riccardo Capoferro (Sapienza Università di Roma) 10.15 – 11.15 Keynote lecture I – Room 105 Chair: Riccardo Capoferro (Sapienza Università di Roma) Corinne Fowler (University of Leicester), Country Walks through Colonial Britain during the Culture War 11.15 – 11.45 Coffee break (room 204, 2nd floor) 11.45 – 13.15 Parallel sessions I Room 105 Panel 1 – Empire Lost, Empire Regained? Chair: Andrea Peghinelli (Sapienza) Caroline Gondaud (MEAE), L’Union européenne et les imaginaires impériaux Katharina Clausius (Université de Montréal) & Claudia Clausius (King’s University College/Western), Imperial Music in the Republican Press: National(ist) Icons in Interwar Austria Valerio Cordiner (Sapienza Università di Roma), Vestiges de l’Empire. De la Françafrique à la Françamérique Room 107 Panel 2 – Visions of India Chair: Asia Battiloro (Sapienza Università di Roma) Arnab Das (Indian Institute of Technology Madras), Spectres of a Colonial Narco-State: 19th-Century Opium Trade and Its Postimperial Afterlives in Contemporary Indian Fiction Rocío G. Davis (University of Navarra), Romancing the Empire: M. M. Kaye’s Memoir and Novels as Imperial Validation Christiane Schlote (University of Basel), Commemorating Care: Indian Ayahs and Emotional Imperialism Room 110 Panel 3 – Cultural Geographies Chair: Paolo D’Indinosante (Sapienza Università di Roma) Katherine Baxter (Northumbria University), Desertification María Fernández Díaz (University of Oviedo), Necropolitics and Colonial State Violence in Nadifa Mohamed’s The Fortune Men (2021) Lamia Mecheri (Université d’Annaba), Avatar 2 : La Voie de l’eau de James Cameron, un film (néo) impérialiste ? 13.15 – 14.45 Lunch (caffetteria, 1st floor) 14.45 – 16.45 Parallel sessions II Room 105 Panel 4 – Fascism and Post-Fascism Chair: Umberto Rossi (Independent Scholar) Franco Baldasso (Bard College, NY), Postcards from the Empire: The Long Journey through Fascism Claudia Sbuttoni (University of New Hampshire), Postwar Italy’s Refugee Re-Housing Projects: Urban Peripheries as Extension of Empire Kerry Gibbons (University of Warwick), Colonial Re-Imaginations: The Liberal Colony as a Narrative Setting in the Fascist-Era ‘Romanzo Coloniale’ Federico C. Simonelli (Università Ca’ Foscari Venezia), The Bard of Submerged Imperialism: D’Annunzio and Nationalist Ideology in the Italian Imaginary after the Second World War Room 107 Panel 5 – Post-Imperial Portrayals in Cinema and Television Chair: Luca Valleriani (Sapienza Università di Roma) Teresa Sorolla & Víctor Mínguez (Universitat Jaume I), Afterlife of Queen Victoria in Cinema: Victoria & Abdul (Stephen Frears, 2017) Roxana Elena Doncu (Carol Davila University of Medicine and Pharmacy), Prince and Pauper: The British Monarchy, Their Imagined Transylvanian Roots and Imperial Nostalgia in Wild Carpathia Emiel Martens (University of Amsterdam & Erasmus University Rotterdam), Welcome to Paradise Island: The Interwoven History of Film, Tourism and Empire in Jamaica, 1891–1951 Room 110 Panel 6 – Old and New Landscapes Chair: Katherine Baxter (Northumbria University) Mary Booth (University of Liverpool), Strategic Ambiguity: The Continued Influence of Empire and the Interpretive Evolution of Historic Houses in the United Kingdom Elizabeth Dillenburg (The Ohio State University at Newark), The Ozymandias of Delhi: Coronation Park and the Negotiation of Colonial Legacies in India Sean Ketteringham (University of Oxford), Enduring Coloniality: Georgian Heritage and Angus Acworth in the West Indies Leo Kadokura (University of Oxford), Distant Chimeras: The After-Effects of John Galsworthy and the Edwardian Novel 16.45 – 17.15 Coffee break (room 204, 2dn floor) 17.15 – 19.15 Parallel sessions III Room 105 Panel 7 – Displaying Empire Chair: Franco Baldasso (Bard College, NY) Jeremy Walton (University of Rijeka), Between Inter-Imperial Violence and Inter-National Peace: A View from the Military Museums of Vienna and Istanbul Andrea Potts (The University of Brighton), The Afterlives of Imperialism: Public Engagement with Museum Exhibitions Briony Widdis & Emma Reisz (Queen’s University Belfast), Collecting Ambiguity: Material Objects and the Afterlives of Empire in Northern Ireland Rebekah Hodgkinson (University of Oxford), Constructing the Past in the Present: The National Trust and British Colonialism Room 107 Panel 8 – Multimedial Empires Chair: Tiziano De Marino (Sapienza Università di Roma) Oded Feuerstein (Tel Aviv University), ‘I understand colonialism now and it terrifies me’: Ludic Imperialism and Victoria 3 Paolo D’Indinosante (Sapienza Università di Roma), The Afterlife of Colonial Fiction in The Secret Games Company’s Kim Judith Neder (Technische Universität Dresden), Challenging Fundamentalism: Gene Luen Yang’s Boxers and Saints Room 110 Panel 9 – Fiction and Colonial Memory Chair: Alessandra Crotti (Sapienza Università di Roma) Nicoletta Brazzelli (Università degli Studi di Milano), The Poetics of Memory in Afterlives by Abdulrazak Gurnah Eri Kobayashi (Seikei University), Memories of Empire in Caryl Phillips’s Novels Emma Parker (University of Bristol), The Baggage of Empire: Objects, Memory, and Colonial Whiteness in J. G. Ballard’s and Doris Lessing’s Life Writing Carmen Zamorano Llena (Dalarna University), Listening to the Precariousness of Post-Imperial Memory in Abdulrazak Gurnah’s Afterlives Friday, 22 September 2023 10.00 – 11.00 Keynote lecture II – Room 105 Chair: Irene Ranzato (Sapienza Università di Roma) Pablo Mukherjee (University of Oxford), Ghosts in the Machine: Famines and Afterlives of Empire 11.00 – 11.30 Coffee break (room 204, 2nd floor) 11.30 – 13.00 Parallel sessions IV Room 105 Panel 10 – Postcolonial Histories and Nation Building Chair: Paolo D’Indinosante (Sapienza Università di Roma) Ann-Sofie Nielsen Gremaud (University of Iceland), New Friendships and Old Ties: Post-Colonial Relations between Iceland and Greenland Skirmantė Biržietienė & Eglė Gabrėnaitė (Vilnius University Kaunas Faculty), The Concept of Empire in Contemporary Lithuanian Public Discourse: A Corpus-Based Research Karl Hele (Mount Allison University), Anishinaabeg Countering Settler Imperial-Colonial Narratives through Performance, c. 1900 to Present Room 107 Panel 11 – Gender, Memory, Empire Chair: Caterina Romeo (Sapienza Università di Roma) Noreen Kane (University College Cork), Intergenerational Memory in the Novels of Maaza Mengiste Nicole Fluhr (Southern Connecticut State University), Revision and/as Revolt: Tackling Empire’s Literary Legacies in Marlon James’ The Book of Night Women Giovanna Buonanno (Università di Modena e Reggio Emilia), Afterlives of Empire in Contemporary Black British Women’s Plays: Janice Okoh’s The Gift (2020) Room 110 Panel 12 – Post-Imperial Myths Chair:

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CfP: Metamorphoses and Fluidity: Ever-Changing Shapes in the Stream of Time, ‘Tor Vergata’ University of Rome, 7-8 May, 2024

Metamorphoses and Fluidity: Ever-Changing Shapes in the Stream of Time Tor Vergata University of Rome 7-8 May, 2024 “Omnia mutantur, nihil interit. Everything changes, nothing perishes” (Ovid, Metamorphoses) “For some reason, the tall, empty room where he was forced to remain made him feel uneasy as he lay there flat on the floor, even though he had been living in it for five years” (Kafka, The Metamorphosis) Prominent theoretical issues and practices in contemporary Western intellectual cultures have made metamorphosis a desirable area for scholarly study, as the topic is frequently juxtaposed or linked with something that is not only “other”. Metamorphosis, however, not only questions the distinctions between the subject and its “other” or between language and nonlanguage; it also raises issues of definition. As a result, many studies focused on the concept of metamorphosis emphasize epistemological and ontological issues pertaining to the subject’s interaction with the outside world and other people as well as the subject’s understanding of both the subject and the outside world. Another topic that has received much attention in recent studies is metamorphosis as a tropological issue. One of the most frequently made assertions regarding the tropological status of metamorphosis is that it draws from a variety of trope categories, particularly metaphor and metonymy, and yet, as a representation of a startling and seemingly miraculous change, it is also capable of playing with the line between the literal and figurative. The paradoxical nature of the metamorphosis theme further exacerbates issues with subjectivity, how it is portrayed in literary characters, and the connection between textuality and knowledge. The fourth edition of the biannual conference organized by the Research Group TrAdE (Translation and Adaptation from/into English) seeks to explore how translation and adaptation deal with ever-changing literary and linguistic shapes in the stream of time. TrAdE’s first conference was focused on words as they move from one linguo-cultural system to another, serving as means for connection and contact. The second conference addressed the issue of contamination and contagion resulting from linguo-cultural contact in Anglophone scenarios. For its third conference, the Research Group delved into alterity in the translation and adaptation of Anglophone (con)texts. The fourth transdisciplinary Conference shall be focused on (but not limited to) the following topics: Metamorphosis/Fluidity in Education and (Social) Media; Metamorphosis/Fluidity in Art(s), Music, Movies and TV Series; Metamorphosis/Fluidity in Language, Literature, Linguistics and Translation; Metamorphosis/Fluidity of Style(s) and Genre(s); Panels/Abstracts Submission Proposals for individual presentations (approximately 200 words) should include the name and contact information of the speaker, their affiliation and a 50-word bionote. Proposals for panels (maximum 500 words) should include the name and contact information of the chairperson, the abstract of each presenter (approximately 200 words) and their bionote. Please send panels and/or individual proposals to: segreteria.trade@gmail.com. Deadline for proposals: December 15, 2023 Notification of acceptance: January 7, 2024 Fees Early bird (before February 7, 2024) = € 60 Standard registration (before May 1, 2024) = € 80 On-site registration will NOT be available. Further info on registration and payment will be posted on TrAdE site in October (https://gruppotrade-2019.uniroma2.it/) Confirmed keynote speakers: Professor Frederic Chaume Varela (Universitat Jaume I, Spain) Professor Cristiano Furiassi (University of Turin, Italy) Download the pdf Scientific Committee Silvia Antosa, Paolo Bugliani, Mehmet Ali Çelikel, Frederic Chaume Varela, Cristiano Furiassi, Daniela Guardamagna, Giulia Magazzù, Bootheina Majoul, Bruna Mancini, Elisabetta Marino, Theodora Patrona, Eriola Qafzezi, Valentina Rossi, Rossana Sebellin, Angela Sileo, Anikó Sohár, Saverio Tomaiuolo. Metamorphoses and Fluidity (OPEN)

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Seminar: Prof. Sonia Massai,”The Operation of Individual Judgement: In Praise of Critical Editing”, 25 May 2023, University of Verona

On 25th May Prof. Sonia Massai (King’s College, London) will deliver the first “Alessandro Serpieri Lecture”, entitled: The Operation of Individual Judgement: In Praise of Critical Editing The event will take place at 11 a.m. at the University of Verona (Polo Santa Marta – STC). The Lectures intend to render homage to the memory of Prof. Alessandro Serpieri, eminent Shakespeare scholar and inspirer and co-founder of the Skenè publications since 2014. The Lectures will be held annually at the Skenè Centre as part of the Skenè activities promoted by the General Editors of the new Skenè. Shakespeare series, Silvia Bigliazzi, Fernando Cioni, Rocco Coronato, and Keir Elam. By this initiative, the Editors wish to express their gratitude to the late Alessandro Serpieri for his generous teaching and friendship also by annually programming meetings and discussions dedicated to some of the topics he especially cherished. Please write to skene@ateneo.univr.it to confirm your in-person attendance by 20 May, or  to be sent the Zoom link if you wish to attend online. Alessandro Serpieri Lecture – The Operation of Individual Judgement: In Praise of Critical Editing – Skenè (univr.it)

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