Members’ Events

“New Trends in English Studies: Evolving Paradigms”

Title: “New Trends in English Studies: Evolving Paradigms” Dates: 23-24 April 2024 Place: Enna “Kore” University Scientific and organising committee: Annalisa Bonomo, Vivian M. De La Cruz, Laura Diamanti, Fernanda Verçosa, Paola Clara Leotta, Giuseppina Di Gregorio Please submit your proposals (max 300 words, ref. excluded) to: ntesconf@gmail.com by 10 February 2024, and check the website (up from December 2023) https://ntesconf2024.wixsite.com/kore for full call for papers and other info. The epistemics of English Studies has evolved rapidly in the last few decades, shaped by social and cultural changes, and by advances in technology. This leads to new frameworks in Linguistics, Literature, and Cultural Studies, as well as in Translation Studies, “generating traffic across increasingly unstable disciplinary borders” (Knežević 2016: 153). In particular, they intersect with social, cultural, educational, and environmental issues, and address concerns about ethics and social justice, with regard to the environment, ethnicity, gender identity, education, diaspora, migration, identity navigation, inclusivity, multimodality, etc. In light of these considerations, this conference aims to offer, though in a tentative and non-exhaustive manner, a positive forum for a productive collective reflection on possible future(s) for the discipline. Topics may include, without being restricted to, the following: Translation Studies: Being in the Beyond; Critical and Positive Discourse Analysis; Identities and Cultures in Transition; University Language Centres; Literary Studies in English; Sociolinguistics and Language History; Multilingualism and World English(es); English for Specific Purposes and English for Education; Multimodality and Audiovisual Translation.

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Convegno “L2 accent and pronunciation research: acquisition, teaching, attitudes (L2APR)”

Convegno “L2 accent and pronunciation research: acquisition, teaching, attitudes (L2APR)” Venezia, 15-16 novembre 2023 Dei colleghi di Ca’ Foscari segnalano il convegno (in presenza) “L2 accent and pronunciation research: acquisition, teaching, attitudes (L2APR)”, che si terrà presso l’Università Ca’ Foscari Venezia dal 15 al 16 novembre 2023.  Sono ora aperte le iscrizioni per i partecipanti senza contributo. Il link per la registrazione (gratuita) si trova in questa pagina, mentre il programma del convegno è visibile qui. Per ulteriori informazioni, scrivere a L2APRvenezia@unive.it.

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Afterlives of Empire, Università di Roma “La Sapienza”, 21-22 settembre 2023

Ecco il programma del convegno Afterlives of Empire, Università di Roma “La Sapienza”, 21-22 settembre 2023 (solo in presenza) Thursday, 21 September 2023 9.00 Registration 10.00 Opening remarks (room 105) Camilla Miglio (Head of SEAI, Sapienza Università di Roma) and Riccardo Capoferro (Sapienza Università di Roma) 10.15 – 11.15 Keynote lecture I – Room 105 Chair: Riccardo Capoferro (Sapienza Università di Roma) Corinne Fowler (University of Leicester), Country Walks through Colonial Britain during the Culture War 11.15 – 11.45 Coffee break (room 204, 2nd floor) 11.45 – 13.15 Parallel sessions I Room 105 Panel 1 – Empire Lost, Empire Regained? Chair: Andrea Peghinelli (Sapienza) Caroline Gondaud (MEAE), L’Union européenne et les imaginaires impériaux Katharina Clausius (Université de Montréal) & Claudia Clausius (King’s University College/Western), Imperial Music in the Republican Press: National(ist) Icons in Interwar Austria Valerio Cordiner (Sapienza Università di Roma), Vestiges de l’Empire. De la Françafrique à la Françamérique Room 107 Panel 2 – Visions of India Chair: Asia Battiloro (Sapienza Università di Roma) Arnab Das (Indian Institute of Technology Madras), Spectres of a Colonial Narco-State: 19th-Century Opium Trade and Its Postimperial Afterlives in Contemporary Indian Fiction Rocío G. Davis (University of Navarra), Romancing the Empire: M. M. Kaye’s Memoir and Novels as Imperial Validation Christiane Schlote (University of Basel), Commemorating Care: Indian Ayahs and Emotional Imperialism Room 110 Panel 3 – Cultural Geographies Chair: Paolo D’Indinosante (Sapienza Università di Roma) Katherine Baxter (Northumbria University), Desertification María Fernández Díaz (University of Oviedo), Necropolitics and Colonial State Violence in Nadifa Mohamed’s The Fortune Men (2021) Lamia Mecheri (Université d’Annaba), Avatar 2 : La Voie de l’eau de James Cameron, un film (néo) impérialiste ? 13.15 – 14.45 Lunch (caffetteria, 1st floor) 14.45 – 16.45 Parallel sessions II Room 105 Panel 4 – Fascism and Post-Fascism Chair: Umberto Rossi (Independent Scholar) Franco Baldasso (Bard College, NY), Postcards from the Empire: The Long Journey through Fascism Claudia Sbuttoni (University of New Hampshire), Postwar Italy’s Refugee Re-Housing Projects: Urban Peripheries as Extension of Empire Kerry Gibbons (University of Warwick), Colonial Re-Imaginations: The Liberal Colony as a Narrative Setting in the Fascist-Era ‘Romanzo Coloniale’ Federico C. Simonelli (Università Ca’ Foscari Venezia), The Bard of Submerged Imperialism: D’Annunzio and Nationalist Ideology in the Italian Imaginary after the Second World War Room 107 Panel 5 – Post-Imperial Portrayals in Cinema and Television Chair: Luca Valleriani (Sapienza Università di Roma) Teresa Sorolla & Víctor Mínguez (Universitat Jaume I), Afterlife of Queen Victoria in Cinema: Victoria & Abdul (Stephen Frears, 2017) Roxana Elena Doncu (Carol Davila University of Medicine and Pharmacy), Prince and Pauper: The British Monarchy, Their Imagined Transylvanian Roots and Imperial Nostalgia in Wild Carpathia Emiel Martens (University of Amsterdam & Erasmus University Rotterdam), Welcome to Paradise Island: The Interwoven History of Film, Tourism and Empire in Jamaica, 1891–1951 Room 110 Panel 6 – Old and New Landscapes Chair: Katherine Baxter (Northumbria University) Mary Booth (University of Liverpool), Strategic Ambiguity: The Continued Influence of Empire and the Interpretive Evolution of Historic Houses in the United Kingdom Elizabeth Dillenburg (The Ohio State University at Newark), The Ozymandias of Delhi: Coronation Park and the Negotiation of Colonial Legacies in India Sean Ketteringham (University of Oxford), Enduring Coloniality: Georgian Heritage and Angus Acworth in the West Indies Leo Kadokura (University of Oxford), Distant Chimeras: The After-Effects of John Galsworthy and the Edwardian Novel 16.45 – 17.15 Coffee break (room 204, 2dn floor) 17.15 – 19.15 Parallel sessions III Room 105 Panel 7 – Displaying Empire Chair: Franco Baldasso (Bard College, NY) Jeremy Walton (University of Rijeka), Between Inter-Imperial Violence and Inter-National Peace: A View from the Military Museums of Vienna and Istanbul Andrea Potts (The University of Brighton), The Afterlives of Imperialism: Public Engagement with Museum Exhibitions Briony Widdis & Emma Reisz (Queen’s University Belfast), Collecting Ambiguity: Material Objects and the Afterlives of Empire in Northern Ireland Rebekah Hodgkinson (University of Oxford), Constructing the Past in the Present: The National Trust and British Colonialism Room 107 Panel 8 – Multimedial Empires Chair: Tiziano De Marino (Sapienza Università di Roma) Oded Feuerstein (Tel Aviv University), ‘I understand colonialism now and it terrifies me’: Ludic Imperialism and Victoria 3 Paolo D’Indinosante (Sapienza Università di Roma), The Afterlife of Colonial Fiction in The Secret Games Company’s Kim Judith Neder (Technische Universität Dresden), Challenging Fundamentalism: Gene Luen Yang’s Boxers and Saints Room 110 Panel 9 – Fiction and Colonial Memory Chair: Alessandra Crotti (Sapienza Università di Roma) Nicoletta Brazzelli (Università degli Studi di Milano), The Poetics of Memory in Afterlives by Abdulrazak Gurnah Eri Kobayashi (Seikei University), Memories of Empire in Caryl Phillips’s Novels Emma Parker (University of Bristol), The Baggage of Empire: Objects, Memory, and Colonial Whiteness in J. G. Ballard’s and Doris Lessing’s Life Writing Carmen Zamorano Llena (Dalarna University), Listening to the Precariousness of Post-Imperial Memory in Abdulrazak Gurnah’s Afterlives Friday, 22 September 2023 10.00 – 11.00 Keynote lecture II – Room 105 Chair: Irene Ranzato (Sapienza Università di Roma) Pablo Mukherjee (University of Oxford), Ghosts in the Machine: Famines and Afterlives of Empire 11.00 – 11.30 Coffee break (room 204, 2nd floor) 11.30 – 13.00 Parallel sessions IV Room 105 Panel 10 – Postcolonial Histories and Nation Building Chair: Paolo D’Indinosante (Sapienza Università di Roma) Ann-Sofie Nielsen Gremaud (University of Iceland), New Friendships and Old Ties: Post-Colonial Relations between Iceland and Greenland Skirmantė Biržietienė & Eglė Gabrėnaitė (Vilnius University Kaunas Faculty), The Concept of Empire in Contemporary Lithuanian Public Discourse: A Corpus-Based Research Karl Hele (Mount Allison University), Anishinaabeg Countering Settler Imperial-Colonial Narratives through Performance, c. 1900 to Present Room 107 Panel 11 – Gender, Memory, Empire Chair: Caterina Romeo (Sapienza Università di Roma) Noreen Kane (University College Cork), Intergenerational Memory in the Novels of Maaza Mengiste Nicole Fluhr (Southern Connecticut State University), Revision and/as Revolt: Tackling Empire’s Literary Legacies in Marlon James’ The Book of Night Women Giovanna Buonanno (Università di Modena e Reggio Emilia), Afterlives of Empire in Contemporary Black British Women’s Plays: Janice Okoh’s The Gift (2020) Room 110 Panel 12 – Post-Imperial Myths Chair:

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CfP: Metamorphoses and Fluidity: Ever-Changing Shapes in the Stream of Time, ‘Tor Vergata’ University of Rome, 7-8 May, 2024

Metamorphoses and Fluidity: Ever-Changing Shapes in the Stream of Time Tor Vergata University of Rome 7-8 May, 2024 “Omnia mutantur, nihil interit. Everything changes, nothing perishes” (Ovid, Metamorphoses) “For some reason, the tall, empty room where he was forced to remain made him feel uneasy as he lay there flat on the floor, even though he had been living in it for five years” (Kafka, The Metamorphosis) Prominent theoretical issues and practices in contemporary Western intellectual cultures have made metamorphosis a desirable area for scholarly study, as the topic is frequently juxtaposed or linked with something that is not only “other”. Metamorphosis, however, not only questions the distinctions between the subject and its “other” or between language and nonlanguage; it also raises issues of definition. As a result, many studies focused on the concept of metamorphosis emphasize epistemological and ontological issues pertaining to the subject’s interaction with the outside world and other people as well as the subject’s understanding of both the subject and the outside world. Another topic that has received much attention in recent studies is metamorphosis as a tropological issue. One of the most frequently made assertions regarding the tropological status of metamorphosis is that it draws from a variety of trope categories, particularly metaphor and metonymy, and yet, as a representation of a startling and seemingly miraculous change, it is also capable of playing with the line between the literal and figurative. The paradoxical nature of the metamorphosis theme further exacerbates issues with subjectivity, how it is portrayed in literary characters, and the connection between textuality and knowledge. The fourth edition of the biannual conference organized by the Research Group TrAdE (Translation and Adaptation from/into English) seeks to explore how translation and adaptation deal with ever-changing literary and linguistic shapes in the stream of time. TrAdE’s first conference was focused on words as they move from one linguo-cultural system to another, serving as means for connection and contact. The second conference addressed the issue of contamination and contagion resulting from linguo-cultural contact in Anglophone scenarios. For its third conference, the Research Group delved into alterity in the translation and adaptation of Anglophone (con)texts. The fourth transdisciplinary Conference shall be focused on (but not limited to) the following topics: Metamorphosis/Fluidity in Education and (Social) Media; Metamorphosis/Fluidity in Art(s), Music, Movies and TV Series; Metamorphosis/Fluidity in Language, Literature, Linguistics and Translation; Metamorphosis/Fluidity of Style(s) and Genre(s); Panels/Abstracts Submission Proposals for individual presentations (approximately 200 words) should include the name and contact information of the speaker, their affiliation and a 50-word bionote. Proposals for panels (maximum 500 words) should include the name and contact information of the chairperson, the abstract of each presenter (approximately 200 words) and their bionote. Please send panels and/or individual proposals to: segreteria.trade@gmail.com. Deadline for proposals: December 15, 2023 Notification of acceptance: January 7, 2024 Fees Early bird (before February 7, 2024) = € 60 Standard registration (before May 1, 2024) = € 80 On-site registration will NOT be available. Further info on registration and payment will be posted on TrAdE site in October (https://gruppotrade-2019.uniroma2.it/) Confirmed keynote speakers: Professor Frederic Chaume Varela (Universitat Jaume I, Spain) Professor Cristiano Furiassi (University of Turin, Italy) Download the pdf Scientific Committee Silvia Antosa, Paolo Bugliani, Mehmet Ali Çelikel, Frederic Chaume Varela, Cristiano Furiassi, Daniela Guardamagna, Giulia Magazzù, Bootheina Majoul, Bruna Mancini, Elisabetta Marino, Theodora Patrona, Eriola Qafzezi, Valentina Rossi, Rossana Sebellin, Angela Sileo, Anikó Sohár, Saverio Tomaiuolo. Metamorphoses and Fluidity (OPEN)

CfP: Metamorphoses and Fluidity: Ever-Changing Shapes in the Stream of Time, ‘Tor Vergata’ University of Rome, 7-8 May, 2024 Read More »

Seminar: Prof. Sonia Massai,”The Operation of Individual Judgement: In Praise of Critical Editing”, 25 May 2023, University of Verona

On 25th May Prof. Sonia Massai (King’s College, London) will deliver the first “Alessandro Serpieri Lecture”, entitled: The Operation of Individual Judgement: In Praise of Critical Editing The event will take place at 11 a.m. at the University of Verona (Polo Santa Marta – STC). The Lectures intend to render homage to the memory of Prof. Alessandro Serpieri, eminent Shakespeare scholar and inspirer and co-founder of the Skenè publications since 2014. The Lectures will be held annually at the Skenè Centre as part of the Skenè activities promoted by the General Editors of the new Skenè. Shakespeare series, Silvia Bigliazzi, Fernando Cioni, Rocco Coronato, and Keir Elam. By this initiative, the Editors wish to express their gratitude to the late Alessandro Serpieri for his generous teaching and friendship also by annually programming meetings and discussions dedicated to some of the topics he especially cherished. Please write to skene@ateneo.univr.it to confirm your in-person attendance by 20 May, or  to be sent the Zoom link if you wish to attend online. Alessandro Serpieri Lecture – The Operation of Individual Judgement: In Praise of Critical Editing – Skenè (univr.it)

Seminar: Prof. Sonia Massai,”The Operation of Individual Judgement: In Praise of Critical Editing”, 25 May 2023, University of Verona Read More »

Spring Seminars on Romanticism 2023, Università degli Studi di Bari, 18-19 maggio 2023

Spring Seminars on Romanticism 2023 – Università degli Studi di Bari, 18-19 maggio 2023   Gli “Spring Seminars on Romanticism 2023” sono organizzati dal Centro Interuniversitario per lo Studio del Romanticismo, sede di Bari, con il patrocinio e dell’Associazione Italiana di Anglistica e del Centro Interdipartimentale Ricerche sulla Pace “Giuseppe Nardulli” (UniBa). Le giornate rinnovano una ventennale tradizione di incontro e scambio tra numerosi membri della comunità scientifica internazionale dedita allo studio del Romanticismo britannico.    “Wars and Peace” è il titolo, di tragica attualità, dell’edizione 2023, che esplora l’argomento da diverse prospettive e presenta importanti attraversamenti disciplinari, coinvolgendo gli studi letterari, linguistici e storico-culturali. Una “Special Session” in memoria dell’illustre romanticista Frederick Burwick, recentemente scomparso, si svolgerà presso la Pinacoteca Metropolitana “Corrado Giaquinto”. La sessione culmina con la performance musicale (prima esecuzione in tempi moderni), di brani per voci soliste e in ensemble tratti dalla versione teatrale del Manfred di Byron (Covent Garden, 29.10.1834) con musica di Henry Bishop su libretto di Alfred Bunn.  

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CfP: “Im/politeness on the Big Screen”, 1st December 2023, University of Naples “L’Orientale” 

Call For Papers   Im/politeness on the Big Screen  Friday 1st December 2023, University of Naples L’Orientale  Im/politeness is an integral part of the language, aesthetic value and cultural significance of  cinema. The conference seeks to analyse the languages of im/politeness in a variety of  cinematic texts (shorts, featurettes and feature films). Pragmatics, stylistics, multimodal  analysis, characterization, and conversation analysis are particularly relevant for investigating  im/politeness as conversational behaviour in cinematic discourse. With a focus on areas such  as banter, mock-politeness, irony, humour, and related phenomena, the conference will  explore the interconnections between these linguistic and social practices across cinematic  texts.  We welcome proposals for 20-minute papers (in Italian or English) on a broad range of topics  related to im/politeness in cinematic discourse. While we encourage submissions on the  following themes, we also welcome related contributions:  Im/politeness and characterization in cinema;  Innovative approaches to analysing linguistic and multimodal im/politeness;  Banter, pseudo/mock-politeness and similar phenomena (irony, humour, etc.);  Impoliteness and storytelling in cinema;  Further methodological considerations regarding analysis of film dialogues;  Taboo language;  Audio-visual translation and Im/politeness Theory.  Overall, this conference aims to provide a platform for interdisciplinary discussion on  im/politeness strategies in cinema. We welcome contributions from scholars across various  disciplines, including, among others: linguistic pragmatics, stylistics, film and media studies,  and sociolinguistics.  Abstracts (250 words max.) should be sent as email attachments in .doc or .docx format to  abeville@unior.it and emma.pasquali@uniecampus.it by 16/06/2023.  Abstracts should include:  ➔ full name;  ➔ academic position;  ➔ affiliation;  ➔ contact information (email);  ➔ up to 5 keywords;  ➔ up to 5 key references. Notice of acceptance will be sent by 31/07/2023.  A selection of papers will be proposed for publication in a collection of essays.  Organising and Scientific Committee  Aoife Beville (University of Naples L’Orientale)  Emma Pasquali (eCampus University)  Selected bibliography  Androutsopoulos, Jannis. 2012. “Introduction: Language and Society in Cinematic  Discourse”. Multilingua 31 (2–3): 139–54.  Bousfield, Derek. 2007. “‘Never a Truer Word Said in Jest’: A Pragmastylistic Analysis of  Impoliteness as Banter in Henry IV, Part I”. Pp. 209–20 in Contemporary Stylistics,  edited by M. Lambrou and P. Stockwell. London; New York: Continuum.  Brown, Penelope, and Stephen C. Levinson. 1987. Politeness: Some Universals in  Language Usage. Cambridge; New York: Cambridge University Press  Chepinchikj, Neda and Thompson, Celia. 2016. “Analysing cinematic discourse using  conversation analysis”, Discourse, Context & Media, 14:40-53.  Culpeper, Jonathan. 1996. “Towards an Anatomy of Impoliteness”. Journal of Pragmatics 25(3):349–67.  Culpeper, Jonathan. 2001. Language and Characterisation: People in Plays and Other  Texts. Harlow England, New York: Longman.  Culpeper, Jonathan. 2011. Impoliteness: Using Language to Cause Offence. Cambridge  University Press.  Dynel, Marta. 2011. “‘I’ll Be There for You!’ On Participation-Based Sitcom Humour”. Pp.  311–34 in The Pragmatics of Humour across Discourse Domains, edited by M.  Dynel. Amsterdam: John Benjamins Publishing Company.  Dynel, Marta. 2016. “Conceptualizing Conversational Humour as (Im)Politeness: The  Case of Film Talk”. Journal of Politeness Research 12 (1): 117–47.  Dynel, Marta. 2017. “(Im)Politeness and Telecinematic Discourse”. In Pragmatics of  Fiction, edited by Miriam A. Locher and Andreas H. Jucker, 455–88. Berlin: De  Gruyter Mouton.  Janney, Richard. 2012. “Pragmatics and Cinematic Discourse”. In Lodz Papers in  Pragmatics 8.   Kádár, Dániel Z., and Michael Haugh. 2013. Understanding Politeness. Cambridge:  Cambridge University Press.  Kress, Gunther, and Theo van Leeuwen. 2006. Reading Images: The Grammar of Visual  Design. Second Edition. London: Routledge.  Leech, Geoffrey. 1983. Principles of Pragmatics. London: Longman.  McIntyre, Dan. 2008. “Integrating Multimodal analysis and the stylistics of drama: a  multimodal perspective on Ian McKellen’s Richard III”. In Language and Literature 17(4): 309-334. Nørgaard, Nina. 2010. “Multimodal Stylistics: the Happy Marriage of Stylistics and  Semiotics”. In Semiotics: Theory and Applications, edited by S. C. Hamel, 255-260.  Nova Science Publishers.   — . 2014. “Multimodality and Stylistics”. In The Routledge Handbook of Stylistics, edited  by Michael Burke, 471-485. Oxon: Routledge.  Piazza, Roberta, Monika Bednarek, and Fabio Rossi. 2011. Telecinematic Discourse:  Approaches to the Language of Films and Television Series. Amsterdam: John  Benjamins Publishing Company.  Toolan, Michael. 2014. “Stylistics and Film”. In The Routledge Handbook of Stylistics,  edited by Michael Burke, 455–69. Routledge.

CfP: “Im/politeness on the Big Screen”, 1st December 2023, University of Naples “L’Orientale”  Read More »

CfP: “Figurative Thought and Language (FTL 7).Cognitive, bodily, and cultural processes in Figurative Thought and Language”,University of Genova,20-22 September 2023

CALL FOR PAPERS Figurative Thought and Language (FTL 7) Cognitive, bodily, and cultural processes in Figurative Thought and Language University of Genova, Dipartimento di Lingue e Culture Moderne 20-22 September 2023 https://sites.google.com/view/ftl7symposium/home-page The 7th International Symposium on Figurative Thought and Language (FTL 7) will be organised by the Department of Modern Languages at the University of Genoa. Following the previous biannual meetings, which have gathered scholars working on the broad spectrum of figuration, the theme of this year’s meeting is Cognitive, bodily, and cultural processes in Figurative Thought and Language. We invite contributions from different theoretical (cognitive linguistics, cognitive science, neuroscience, cognitive psychology, cognitive anthropology), methodological (experimental protocols, cross-linguistic comparison, synchronic and diachronic analyses, corpus studies, quantitative and qualitative analyses), and applied perspectives dealing with the role of figuration in motivating linguistic phenomena and conceptual processes. Suggested topics include (but are not restricted to): – role of figuration in morphology, syntax, lexis, semantics, pragmatics; – role of figuration in grammar (grammatical constructions, grammatical categories, parts-of-speech); – role of figuration in grammaticalization; – role of figuration in synchronic and diachronic language change and variation; – figurative elaboration of perceptual stimuli; – figuration in different types of discourse (e.g., business, media, literature, law, politics, science, sports, religion, psychotherapy, etc.); – cognitive stylistics; – corpus-based approaches to figuration; – experimental protocols, quantitative and statistical analyses of figurative mechanisms; – cultural variation of figurative mechanisms; – emotional aspects of figurative language; – development of figurative language in first and second language acquisition; – figuration in artificial intelligence; – figuration in gestures and sign languages; – multimodal figuration in images, music, cultural artifacts and practices; – humour, irony, sarcasm; Invited Speakers: Anna Borghi, Sapienza Università di Roma, IT Laura Hidalgo Downing, Universidad Autónoma de Madrid, SP Chloe Harrison, Aston University, UK Francisco José Ruiz de Mendoza Ibañez, Universidad de La Rioja, SP SUBMISSION OF ABSTRACT has been extended to 30th May 2023. – The abstract, both in a .pdf and a .doc(x) format, should be sent to the following address: ftl7symposium@gmail.com – Abstracts should not exceed 500 words (including examples, and excluding figures and references), and should include 5 keywords and state research questions, approach, method, data and (expected) results. – Abstracts should be written using Times New Roman 12, single spaced, with a minimal use of special fonts, a minimum of figures and tables, and no footnotes. – All abstracts will be reviewed anonymously by two referees, members of the Scientific Committee. – Please, do not mention the author’s name, institution or address in the abstract. – The subject header of your email should include: FTL7 submission – name(s). – Please include the following information in the main body of your email: (1) name of author(s), (2) affiliation, (3) title of the presentation, (4) email address(es). – SUBMITTING MULTIPLE PAPERS. In order to guarantee diversity, nobody is allowed to present or co-present more than two papers (EITHER one as first author and one as co-author OR two as co-author).

CfP: “Figurative Thought and Language (FTL 7).Cognitive, bodily, and cultural processes in Figurative Thought and Language”,University of Genova,20-22 September 2023 Read More »

CfP: “CLAVIER 2023. Framing nature: discourses past and present of nature and the environment.A sustainability perspective”, University of Milan, 23-24 November 2023

CLAVIER 2023 Framing nature: discourses past and present of nature and the environment A sustainability perspective 23-24 November 2023 Università degli Studi di Milano, Department of Languages, literatures, cultures and mediations Piazza Indro Montanelli 1 Sesto San Giovanni, Metropolitan City of Milan, Italy Among the problems troubling the 21st century, particularly salient are those concerning the environment. In what is commonly referred to as the Age of the Anthropocene, the relationship between human beings and the natural world is at the heart not only of extensively debated problems such as climate change and the depletion of natural resources, (micro-)plastic pollution and the consequences of nuclear disasters, but also of issues such as the management of the global economy and the likelihood of the emergence of novel diseases, of which Covid-19 is only the latest. The very concept of environmental sustainability – quite possibly one of the defining concepts of 21st century policy thinking – revolves around this relationship, and it is on the way we understand it that our approaches to addressing environmental issues depend. This understanding is shaped by a broad array of beliefs, assumptions and convictions which vary, evolve, stratify and cross-fertilize across times and cultures, all of which come to bear – at least potentially – on contemporary environmental discourse. Indeed, the plethora of issues which fall within such discourse make for a complex scenario riddled with tensions, many of which originate from the different ways in which environmental problems are “framed,” i.e. how specific aspects of such problems are selected and given salience in discourse so as “to promote a particular problem definition, causal interpretation, moral evaluation, and/or treatment recommendation for the item described” (Entman 1993: 52). The multiple framings that can be identified differ in terms of values, priorities, perspectives and predictions – and therefore, following Entman, the remedies they suggest and the recommendations they put forth to avoid what is increasingly recognised as impending disaster. Identifying and analysing the frames deployed in environmental discourse, as well as their historical, cultural and philosophical roots, is therefore crucial not only to understand underlying assumptions about the relationship between human beings and the environment, but also to explore the way in which the need for behavioural change (or lack thereof) both on a collective and an individual level can be convincingly argued. Moreover, since framing is a decisive step in the construction of arguments which affect the outcome of a debate (van Eemeren and Houtlosser 1999), it is all the more essential to analyse its role in a form of discourse which is inevitably mobilised in the service of action (or inaction). This call for papers invites contributions on the above-mentioned topics. We are seeking research papers, case studies, and theoretical contributions that address the framings and understandings of nature and the environment across time, space, media and discourses. Potential topics for submission may include, but are not limited to:  Framing (of) nature across time and space  Cultural differences in framing environmental problems  The role of media in shaping environmental discourse  Framing climate change  The politics of framing  The framing of sustainability  Framing environmental activism  The ethics of framing with respect to nature and the environment  The role of science and ideology in environmental discourse  The future of environmental discourse We welcome submissions (max 300 words plus five references) from scholars and researchers in the fields of linguistics, translation, and interpreting, discourse analysis, argumentation theory, rhetoric and related disciplines, as well as from other associated fields. Interdisciplinary perspectives are especially welcome. As part of the Clavier event series, the conference will feature a special strand on corpus linguistics approaches. Proposals can be submitted for individual papers (20 minutes + 10 minutes for discussion), posters and panels. Proposals for panels for up to 5 papers (for a 2-hour session) should include a short description of the panel (150 words max) and the titles of the individual papers included in the panel. Panel organizers should pre-select panel contributions. Panels featuring more than five participants may be arranged upon request subject to space and time availability. Panel participants should also submit their proposals individually, following the Submission Guidelines and clearly indicating the title of the panel they will be presenting on. The language of the conference is English. Submission Guidelines: Proposals should be clearly structured, with theoretical contributions highlighting the innovative aspects of the proposed models, and analyses clearly outlining aim, materials, methodological approach and expected results. Please use the APA citation style for your references. All submissions should be made electronically via email to the conference email-address (Clavier2023@unimi.it), along with a cover letter indicating the author’s name, affiliation, contact information and title of contribution. In their (anonymous) submissions, authors should clearly indicate minimum 3 and maximum 5 keywords, and they should specify their preference for paper delivery or poster presentation. The latter may be especially suited to early-career researchers or to presentations of work-in- progress. Confirmed plenary speakers: Jonathan Charteris-Black, UWE Bristol Giuliana Garzone, Univeristà IULM Martin Reisigl, Universität Wien Arran Stibbe, University of Gloucestershire Conference Chair: Paola Catenaccio Organising committee Lucia Berti, Jekaterina Nikitina, Letizia Paglialunga, Massimo Sturiale Scientific Committee Cinzia Bevitori, Università di Bologna Marina Bondi, Università degli Studi di Modena e Reggio Emilia Nicholas Brownlees, Università degli Studi di Firenze Gloria Cappelli, Università degli Studi di Pisa Jonathan Charteris-Black, UWE Bristol Belinda Crawford, Università della Calabria Chiara Degano, Università di Roma 3 Marina Dossena, Università degli Studi di Bergamo Roberta Facchinetti, Università degli Studi di Verona Daniele Franceschi, Università degli Studi di Roma 3 Giuliana Garzone, Università IULM Kim Grego, Università degli Studi di Milano Stefania Maci, Università degli Studi di Bergamo Giovanna Mapelli, Università degli Studi di Milano Denise Milizia, Università degli Studi di Bari Renzo Mocini, Università di Roma “La Sapienza” Bettina Mottura, Università degli Studi di Milano Maria Cristina Paganoni, Università degli Studi di Milano Giuseppe Palumbo, Università degli Studi di Trieste Martin Reisigl, Universität Wien Katherine Elizabeth Russo, Università di Napoli

CfP: “CLAVIER 2023. Framing nature: discourses past and present of nature and the environment.A sustainability perspective”, University of Milan, 23-24 November 2023 Read More »

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