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CfP:  Studi irlandesi. A Journal of Irish Studies, “Portable Ireland. Imaginaries of travel in, out, and about Ireland”, edited by Samuele Grassi, Fiorenzo Fantaccini

CALL FOR PAPERS:  Studi irlandesi. A Journal of Irish Studies, “Portable Ireland. Imaginaries of travel in, out, and about Ireland”, edited by Samuele Grassi, Fiorenzo Fantaccini    “Studi irlandesi. A Journal of Irish Studies”https://oajournals.fupress.net/index.php/bsfm-sijis/index Estimated publication date: July 2025 The fifteenth number of Studi irlandesi. A Journal of Irish Studies focuses on cultural, social, and political imaginaries of Ireland and its relationship to travel. Contributions are welcome from within the humanities and social sciences, as well as from other disciplines, as the journal seeks to expand its reach beyond the soft sciences. Historically, cultural, religious, and intellectual exchanges historically have been central to interactions between Ireland and other countries in Europe and beyond. The relationships between the Irish people and travel have witnessed watershed moments in modern and contemporary Western history – including, the Great Famine in the 1800s, economic migration to the UK in the twentieth century, and beyond – that have shaped national and collective imaginaries both within and outside the country. But what is the current mood of Irish travel? By focusing on “mood”, rather than simply on processes and representations, we hint at the affective dimensions of travel, which manifest in remembrances of the past and imaginings of what the future may hold. The tourist gaze has framed Ireland into an imagined landscape of quaint villages, green hills, and cultural festivals, producing a host of representations that are both cherished and challenged by its residents. In recent years, the country has embraced sustainable tourism, inviting visitors to experience its natural beauty while considering environmental impacts. However, the drive towards eco-conscious travel also raises important questions about how today’s Ireland negotiates its image in an increasingly globalised world.  How does this stand in opposition to, for example, the cultural and linguistic peripherality of Gaelic-speaking Ireland, extending to its classed, genders, sexual, and racialised others? This area has only recently begun to receive scholarly attention and must be taken seriously when examining how certain images of Ireland travel, are commodified, and are refigured for neoliberal consumption. As we consider the intersections of travel, translation, and national identity, with this monographic section of Studi irlandesi we are also going to reflect on the broader implications of these exchanges. How have travel accounts, both historical and contemporary, influenced processes of othering in Irish and other national consciousnesses? What role has translation played in shaping cultural diplomacy and intellectual exchange between Ireland and other nations? By addressing these questions and exploring under-researched aspects of these relations, we wish to contribute to a deeper understanding of the transnational dialogues that have long connected Ireland and the Irish to other cultural spheres. Abstract proposals are sought for full-length essays or experimental pieces dealing one or more of the following themes:               historical colonial language appropriation and incorporation into English-speaking rule              Irish travel and migration              intersectional approaches to Irish travel literature              queer transfeminist perspectives on Irish travel              cultural and creative industries working within, on, and around the concept of Aiteach (Irish Gaelic queer-ness)              the politics and economics of tourism in Ireland              critical approaches to sustainable tourism in Ireland              eco-feminist and eco-critical approaches to literary and cultural texts              revisions of traditional travel imaginaries in Irish storytelling and oral histories              current and future scenarios of Irish travel in (post) Covid-19 times              post-Brexit futures and Irish travel              historical routes, crossroads, and narratives, including cultural exchanges between Italy and Ireland              political activism and travel: activists engaged in anti-tourist campaigns and critiques of overtourism   Articles are subject to full double-blind peer review. Please send abstracts of 250 to 400 words, outlines and expressions of interest for papers of 8,000 to 10,000 words, as well as biographic information of 50 to 100 words by 30 November 2024 to the Guest Editors Samuele Grassi (<samuele.grassi@unifi.it>) and Fiorenzo Fantaccini (<fiorenzo.fantaccini@unifi.it>). Successful candidates will be informed by 10 December 2024. The deadline for submission of manuscripts is 30 March 2024. Please note that the editors welcome the opportunity to discuss non-standard papers and formats, including digital non-academic contributions. From 2011, the interdisciplinary Italy-based journal, Studi irlandesi. A Journal of Irish Studies, focuses on research pertaining to every aspect of Irish culture, literary studies, history, cultural perspectives and linguistic inquiry, from the Romantic Era to the present age. The journal publishes previously unpublished works, both in the original language and Italian translation, as well as interviews, reviews, reports and bibliographies of interest for Irish culture scholars. Research in progress rather than consolidated theories and hypotheses and openings rather than conclusions is particularly encouraged, as is the work of early career and precarious scholars.

CfP:  Studi irlandesi. A Journal of Irish Studies, “Portable Ireland. Imaginaries of travel in, out, and about Ireland”, edited by Samuele Grassi, Fiorenzo Fantaccini Read More »

CfA: CERLIS2025: Metaphors in Specialized Discourses in and across cultures (University of Bergamo, 12-14 June 2025)

CALL FOR ABSTRACTS: CERLIS2025: Metaphors in Specialized Discourses in and across cultures University of Bergamo, 12-14 June 2025 We are pleased to announce a call for abstracts for the CERLIS conference on “Metaphors in Specialized Discourse In and Across Cultures.” This interdisciplinary conference aims to explore the intricate and multifaceted roles that metaphors play in specialized forms of discourse, encompassing scientific, technical, medical, legal, business, media, tourism, and political communication, across diverse cultural contexts. As claimed by Semino (2008), metaphors are varied in their textual appearance, versatile in the functions they may perform, and central to many different types of communication, from informal interaction to political speeches. In this regard, Kövecses’ research (2005; 2008) on universality and variation in the use of metaphor has raised the question of whether and to what extent metaphorical thinking can contribute to the understanding of culture and society, and whether cognitive theories can account for both the universality and cultural specificity of metaphorical conceptualisation. The conference will contribute to these themes by exploring metaphors as devices for understanding specialised fields of knowledge and research from various perspectives. Hence, we particularly welcome proposals focusing on new insights regarding how metaphors in specialized discourse vary across different languages and what these differences reveal about cultural cognition. Furthermore, we aim at understanding how metaphors facilitate complex specialized concepts and drive innovation and how cultural values and norms shape metaphor usage and interpretation in specialized discourse. Topics of interest include, but are not limited to, the following: – Theoretical Approaches to Metaphor in Specialized Discourse – Metaphors in Specialised Communication – Metaphors in knowledge dissemination and popularization – Metaphors in Business, Legal, Medical, and Tourism Discourse(s) – Metaphors in Media and Political Discourse – Cultural and Intercultural Perspectives on Metaphor Plenary speakers Zsofia Demien (UCL) Maria Luque Olalla Colmenero (Universidad de Granada) Zoltán Kövecses (Eötvös Loránd University, Budapest) Michele Prandi (University of Genua) Günter Schmale (Université Jean Moulin Lyon 3) Gerard Steen (Amsterdam University) Irma Taavistainen (University of Helsinki) We invite scholars and researchers to submit abstracts that address any of the above themes. Abstracts (300 words) should be uploaded onto the on the easyabs platform (https://easyabs.linguistlist.org/submit/CERLIS2025/) and include the following: • Title of the paper • Author(s) name(s) and affiliation(s) • Contact details (email and phone number) • A brief bio (100-150 words) Important Dates: • Abstract Submission Deadline: 30 November 2024 • Notification of Acceptance: 31 December 2024 • Conference Dates: 12-14 June 2025 For any inquiries, please contact the conference organizing committee at cerlis@unibg.it Special requests should be sent to stefania.maci@unibg.it and cinzia.spinzi@unibg.it REGISTRATION Registration fees are payable online only. Details for payment will be uploaded in November 2024 Conference fee Early registration (January 1st – February 28th) 210 EUR Regular registration (March 1st – April 30th) 240 EUR Late registration (May 1st – June 4th) 250 EUR PhD candidate registration* 180 EUR We look forward to receiving your submissions and to a stimulating exchange of ideas at the conference. Scientific Committee Stefania M. Maci Cinzia Spinzi Zsofia Demien (UCL) Maria Luque Olalla Colmenero (Universidad de Granada) ZOLTÁN KÖVECSES (Eötvös Loránd University, Budapest) Michele Prandi (University of Genua) Gerard Steen (Amsterdam University) Irma Taavistainen (University of Helsinki) Organising Committee: Stefania M. Maci Cinzia Spinzi Valentina Adami Patrizia Anesa Larissa D’Angelo Stefania Consonni Michele Sala Luisa Chierichetti Giovanni Garofalo Dorothee Heller Gabriella Carrobbio Manuela Moroni Danio Maldussi Michela Tonti Liana Goletiani To keep up to date follow us on: X (Twi er): @CerlisCentre #CERLIS2025 Facebook: #CERLIS2025

CfA: CERLIS2025: Metaphors in Specialized Discourses in and across cultures (University of Bergamo, 12-14 June 2025) Read More »

L’Anglistica e il Fulbright Program: Storie, contesti, esperienze – Prof. Giuseppe Balirano (Università di Napoli L’Orientale), Presidente dell’Associazione Italiana di Anglistica (AIA)

Questa è l'intestazione L’Anglistica e il Fulbright Program: Storie, contesti, esperienze – Prof. Giuseppe Balirano (Università di Napoli L’Orientale), Presidente dell’Associazione Italiana di Anglistica (AIA)

L’Anglistica e il Fulbright Program: Storie, contesti, esperienze – Prof. Giuseppe Balirano (Università di Napoli L’Orientale), Presidente dell’Associazione Italiana di Anglistica (AIA) Read More »

*** 32nd AIA Conference *** 32nd AIA Conference – 11-13 September 2025 – University of Turin – “Human, Humane, Humanities. Voices from the Anglosphere”

11-13 September 2025 – University of Turin Human, Humane, Humanities. Voices from the Anglosphere 32nd AIA Conference 11-13 September 2025 – University of Turin Human, Humane, Humanities. Voices from the Anglosphere   The new millennium is witnessing new geopolitical crises, ideological conflicts, the effects of climate change, which make us reflect on what ‘being human’ involves. Real-life experiences of people struggling for survival, suffering from ethnic, religious, political, gender and linguistic discrimination or isolation tell us that ‘humane’ values are often violated or ignored. The emphasis on ‘human, humane and humanities’ in the title of the 32nd AIA Conference is meant to offer scholars in linguistic, literary, cultural and transmedial studies the opportunity to explore the various facets of ‘human nature’, as they emerge from the voices of communities in the English-speaking world. The polysemic nature of these words lends itself to reflect on the state of being human, but also on being humane, that is, feeling empathy, compassion, and understanding for fellow living entities. The digital turn represents a huge step forward for present and future generations of scholars. However, artificial Intelligence seems to be subverting the primacy of human intellect, threatening to dehumanize many aspects of human creative and communicative practices. Recently literature has incorporated notions of neo-materialism and posthumanism to better take into account the more-than-human agency and the interconnectedness of all living beings. In postcolonial literature new forms of enslavement determine a constant concern both in the traditional and in the new media. Environmental humanities in the Anglosphere is increasingly engaged in interconnected issues of social and climate justice, asymmetrical power relations and decolonial thinking. AIA members are invited to submit proposals for Seminars relevant to the following themes, from the perspective of literary, linguistic and cultural studies. Inter- or cross-disciplinary Seminars, addressing issues from multiple perspectives, are strongly encouraged. AIA32 will host the following plenary speakers: Rossella Ciocca, University of Naples “L’Orientale” Radhika Jha, cosmopolitan author Carol O’Sullivan, University of Bristol, United KingdomMichele Zappavigna, University of New South Wales, Australia Call for Seminars AIA members are invited to submit proposals (max 300 words, including references). Proposals can be jointly submitted to the Scientific Committee by a minimum of two or a maximum of three convenors from different universities. Please send your proposals to aia32@unito.it by 1 February 2025. Notification of acceptance: 15 March 2025. The full list of Seminars with outlines and contact addresses of convenors will be published on the conference website by 15 March 2025. Call for Papers AIA members are invited to submit abstracts of individual papers for specific Seminars only from 15 March 2025 when the list of Seminars will be made available. Deadline for submission of abstracts for individual papers: 15 April 2025. Abstracts (WORD format) should be about 300 words long, including references. Font: Times New Roman, 12 points.  Notification of acceptance: 15 May 2025. Please note that:– Seminars must include either 4, 5 or 8 speakers (each speaker will be allowed 20 minutes for presentation and 10 minutes for Q&A);– AIA members may present only one paper (this applies both to single-author and co-authored presentations).Please send your proposals to aia32@unito.it Link to AIA32 website:  https://corep.it/aia-conference-2025 Organizing Committee Esterino Adami, Harjot Banga, Cecilia Boggio, Maria Cristina Caimotto, Stefania Cicillini, Carmen Concilio, Michelangelo Conoscenti, Irene De Angelis, Massimiliano Demata, Paola Della Valle, Maria Laura Ferroglio, Maria Festa, Antonella Maria Giacosa, Alessio Mattana, Vincenza Minutella, Alessandra Molino, Costanza Mondo, Ilaria Parini, Teresa Prudente, Silvia Pireddu, Virginia Pulcini, Giorgia Riboni, Marco Santello, Karolina Anna Tatar, Nesrine Triki, Virginia Zorzi, Angela Zottola. Scientific Committee Esterino Adami (Università di Torino) Giuseppe Balirano (Università di Napoli “L’Orientale”) Roberto Baronti Marchiò (Università di Cassino e del Lazio Meridionale) Cecilia Boggio (Università di Torino) Paola Brusasco (Università di Chieti) Claudia Cao (Università di Cagliari) Valentina Castagna (Università di Palermo) Paola Catenaccio (Università di Milano) Carmen Concilio (Università di Torino) Michelangelo Conoscenti (Università di Torino) Giuseppina Cortese (Università di Torino) Manuela D’Amore (Università di Catania) Irene De Angelis (Università di Torino) Bianca Del Villano (Università di Napoli “L’Orientale”) Paola Della Valle (Università di Torino) Massimiliano Demata (Università di Torino) Elena Di Giovanni (Università di Macerata) Eleonora Federici (Università di Ferrara) Cristiano Furiassi (Università di Torino) Francesca Guidotti (Università di Bergamo) Siria Guzzo (Università di Salerno) Bronwen Hughes (Università di Napoli Parthenope) C. Bruna Mancini (Università della Calabria) Pierpaolo Martino (Università di Bari) Vincenza Minutella (Università di Torino) Alessandra Molino (Università di Torino) Marilena Parlati (Università di Padova) Donatella Pallotti (Università di Firenze) Silvia Pireddu (Università di Torino) Virginia Pulcini (Università di Torino) Irene Ranzato (Sapienza Università di Roma) Enrico Reggiani (Università Cattolica del Sacro Cuore) Giorgia Riboni (Università di Torino) Federico Sabatini (Università di Torino) Rossana Maria Sebellin (Università di Roma Tor Vergata) Maria Grazia Sindoni (Università di Messina) Elena Spandri (Università di Siena) Massimo Sturiale (Università di Milano) Laura Tosi (Università Ca’ Foscari Venezia) Angela Zottola (Università di Torino)

*** 32nd AIA Conference *** 32nd AIA Conference – 11-13 September 2025 – University of Turin – “Human, Humane, Humanities. Voices from the Anglosphere” Read More »

ITALIAN OSCAR WILDE SOCIETY’ CONFERENCE – 1854-2024: Omaggio a Oscar Wilde a 170 anni dalla nascita1854-2024: A Tribute to Oscar Wilde on the 170th Anniversary of His Birth15-16 ottobre 2024 – Gipsoteca di Arte Antica – Piazza San Paolo all’Orto, 20 56126 Pisa

ITALIAN OSCAR WILDE SOCIETY’ CONFERENCE1854-2024: Omaggio a Oscar Wilde a 170 anni dalla nascita1854-2024: A Tribute to Oscar Wilde on the 170th Anniversary of His Birth15-16 ottobre 2024Gipsoteca di Arte Antica – Piazza San Paolo all’Orto, 20 56126 Pisahttps://www.gipsoteca.sma.unipi.it/ COMITATO SCIENTIFICO: Elisa Bizzotto (Università IUAV di Venezia), Roberta Ferrari (Università di Pisa), Laura Giovannelli (Università di Pisa), Pierpaolo Martino (Università degli Studi di Bari Aldo Moro), Gino Scatasta (Università degli Studi di Bologna), Giuseppe Virelli (Università degli Studi eCampus) COMITATO ORGANIZZATIVO: Paolo Bugliani (Università di Pisa), Camilla Del Grazia (Università di Pisa), Luca Pinelli (Università di Bergamo) 15 ottobre 202409.30 Saluti istituzionali – Institutional greetings CHAIR: Laura Giovannelli10.00 Francesco Marroni, “Wilde, Shaw, and the Season of Utopia”10.30 Neil Sammells, “Oscar Wilde and Sebastian Horsley: Dandies in the Underworld” 11.15 Coffee break CHAIR: Elisa Bizzotto11.45 Pierpaolo Martino, “Oscar Wilde in America: Then and Now”12.15 Michael Davis, “Walter Pater, Oscar Wilde, and the Anxiety of Queer Influence in The Picture of Dorian Gray”12.45 Laura Giovannelli, “‘The trees seemed to sweep past him in spectral procession’: Nature’s (Un)sympathy in The Picture of Dorian Gray” 13.30 Pausa pranzo – Lunch CHAIR: Roberta Ferrari15.00 Camilla Del Grazia, “Wilde e il ‘gotico comico’: echi di Edgar Allan Poe in Lord Arthur Savile’s Crime and Other Stories”15.30 Luca Pinelli, “Oscar Wilde and the Politics of Being Unwell”16.00 Paolo Bugliani, “‘L’artista è il creatore di cose brevi’: simulacri dell’autore nei racconti di Oscar Wilde”16.30 Elisa Bizzotto, “Wilde Studies: Some Recent Approaches” 19.30 Cena sociale – Social dinner 16 ottobre 2024CHAIR: Gino Scatasta10.00 Elisa Bizzotto, Laura Giovannelli, Pierpaolo Martino, Gino ScatastaThe Devoted Friend: Tavola rotonda in memoria di Alex R. Falzon 12.30 Chiusura lavori – Closing remarks

ITALIAN OSCAR WILDE SOCIETY’ CONFERENCE – 1854-2024: Omaggio a Oscar Wilde a 170 anni dalla nascita1854-2024: A Tribute to Oscar Wilde on the 170th Anniversary of His Birth15-16 ottobre 2024 – Gipsoteca di Arte Antica – Piazza San Paolo all’Orto, 20 56126 Pisa Read More »

CfP PRIN/CLAVIER 2025 Joint Conference: Communicating transparency:New trends and insights for professional and intercultural settingsTropea, Calabria (Italy), May 29-30, 2025

PRIN/CLAVIER 2025 Joint ConferenceCALL FOR PAPERSCommunicating transparency:New trends and insights for professional and intercultural settingsTropea, Calabria (Italy), May 29-30, 2025 We are pleased to announce the Call for Papers for the Joint PRIN/CLAVIER 2025 Conference to be held May 29-30, 2025 at the conference facilities of Hotel Tropis in Tropea, Calabria. The conference marks the end of a three-year PRIN1 research project entitled Communicating transparency: New trends in English-language corporate and institutional disclosure practices in intercultural settings (CommTran). It is being jointly organized under the auspices of CLAVIER, an Italian inter-university research center. Transparency broadly refers to the degree of openness in conveying information to key stakeholders as well as the public at large. A perception of transparency becomes a precursor to trust as manifested in the belief that organizations will act in the best interests of their stakeholders and also assume accountability for their actions (Ball, 2009; Rawlins, 2008). Thus, demonstrating transparency remains a critical communicative objective of organizations, particularly in light of recurring scandals and growing scrutiny on the part of informed citizens whose expectations of and access to information are ever-expanding (Christensen & Cheney, 2015). In corporate settings, transparency is typically associated with financial disclosure, a well-consolidated practice comprising both mandatory and voluntary reporting genres that are produced to comply with legal requirements but also to proactively engage with stakeholders. In recent years, non-financial disclosure relating to environmental and social issues has become increasingly important and, like financial disclosure, is now often mandated by regulatory directives (Jackson et al., 2020). Moreover, thanks to an increasing array of digital affordances, companies are also leveraging their own web-based communications, as well as social media platforms (e.g., X, Instagram, Facebook), to boost perceptions of transparency among a wider audience. In institutional settings (e.g., media organizations, governmental authorities, political entities), communicating with transparency is also an ongoing concern in an effort to establish trustful relationships with citizens (Chilton, 2004). In the current context of growing public suspicion and distrust, institutions are under mounting pressure to commit to disclosing information in a way that is perceived as transparent and trustworthy. Language clearly plays a vital role in communicating transparently and establishing trust. For organizations operating in international/intercultural contexts, regardless of country of origin, it is now common to find disclosure-oriented communications in English posted on publicly accessible Internet venues. This reflects not only the need to overcome barriers with a shared code of communication (Kecskes, 2004), but also to promote an image of transparency to a global and multicultural audience (Crowley et al., 2015). Thus, culture can play a key role in the communicative strategies of corporate and institutional actors from different linguacultural backgrounds when producing written and oral texts in English aiming to boost perceptions of transparency. This conference intends to provide a platform for research that sheds light on how transparency is constructed and communicated across professional and intercultural contexts. We invite proposals related but not limited to the following themes:1. Communicating transparency across sectors and discourse domains2. Communicating transparency in institutional contexts3. The impact of digital technologies on communicating transparency4. Cultural differences in communicating transparency5. The role of English in communicating transparency in cross-cultural/intercultural contexts6. The role of normative requirements in communicating transparency7. Transparency in the context of sustainability8. Transparency in the context of diversity, equity and inclusion9. Enhancing, hindering or violating transparency10. Teaching skills for communicating transparently We welcome submissions from scholars working in various fields such as discourse analysis, genre analysis, corpus-assisted discourse analysis, pragmalinguistics, critical discourse analysis, multimodality, intercultural communication, ESP teaching and learning, and other related fields, as well as interdisciplinary approaches. Keynote speakersLars Thøger Christensen – Department of Management, Society and Communication, Copenhagen Business SchoolMarlies Whitehouse – ZHAW Zurich University of Applied Sciences, School of Applied Linguistics, Institute of Language Competence Conference chair:Belinda Crawford Camiciottoli Organizing committeeAssunta (Susie) Caruso, Belinda Crawford Camiciottoli, Jean Jimenez, Vanessa Marcella, Sergio Pizziconi, Ian Robinson, Ida Ruffolo Scientific committeeMarina Bondi (University of Modena and Reggio Emilia), Gloria Cappelli (University of Pisa), Paola Catenaccio (University of Milan), Belinda Crawford Camiciottoli (University of Calabria), Marina Dossena (University of Bergamo), Roberta Facchinetti (University of Verona), Daniele Franceschi (University of Roma Tre), Denise Milizia (University of Bari), Renzo Mocini (“La Sapienza” University of Rome), Giuseppe Palumbo (University of Trieste), Christina Samson (University of Florence) Guidelines for abstract submissionIndividual papers: Abstracts should be no longer than 250 words + max 5 references. Presentation format is 20 minutes followed by 5 minutes for discussion. Panels: Panels should feature 3-5 speakers. Panel proposals must include 200-250 words of general presentation, followed by individual abstracts (max 250 words + max 5 references). Presentation format is 20 minutes per individual paper, with 10 minutes for discussion at the conclusion of the panel. To prepare the abstract, please use the template provided on the conference website:https://prin2020commtran.dices.unical.it/ Abstracts should be submitted electronically via email to the conference email-address PRIN-CLAVIER2025@unical.it, together with a separate cover letter indicating the author’s name, affiliation, contact information and title of of the contribution. Please use the APA 7 citation style for your references and indicate minimum 3 and maximum 5 keywords. Important: do not indicate author name(s) and affiliation(s) on the abstract file. All abstracts will be submitted to a double-blind review process. The proposed abstracts will be evaluated according to the following criteria:• Original topic of relevance to conference theme(s)• Appropriate theoretical background and references• Clearly articulated aim(s) and methodological approach• Presentation of findings (or preliminary findings)• Well-structured, coherent, and clearly written Dates to rememberAbstract Submission Deadline: 20 November 2024Notification of Acceptance: 20 December 2024 For information, please write to: PRIN-CLAVIER2025@unical.itReferencesBall, C. (2009). What is transparency? Public Integrity, 11(4), 293-308.Chilton, P. (2004). Analysing political discourse. Routledge.Christensen, L.T., & Cheney, G. (2015). Peering into transparency: Challenging ideals, proxies, and organizational practices. Communication Theory, 25, 70–90.Crowley, M. D., Yurova, Y., & Golden, C. F. (2015). IFRS without an International Financial Reporting Language (IFRL): Evidence of multiculturalism and a lack of global transparency in the EU. Studies in Communication Sciences, 15(1), 53-60.Jackson, G., Bartosch, J., Avetisyan, E., Kinderman, D.,

CfP PRIN/CLAVIER 2025 Joint Conference: Communicating transparency:New trends and insights for professional and intercultural settingsTropea, Calabria (Italy), May 29-30, 2025 Read More »

PhD Programme in STUDIES IN ENGLISH LITERATURES LANGUAGE AND TRANSLATION, academic year 2024-2025 (Sapienza University of Rome -Dipartimento di Studi Europei Americani e Interculturali)

Sapienza University of Rome -Dipartimento di Studi Europei Americani e Interculturali PhD Programme in STUDIES IN ENGLISH LITERATURES LANGUAGE AND TRANSLATION, academic year 2024-2025 TUTORIALS and EVENTS The Sapienza International PhD Programme in English Literatures, Language, and Translation (SELLT), offered in partnership with the University of Silesia in Katowice, provides an exceptional opportunity for students to develop advanced critical and analytical skills for specialized research. The programme is structured around three distinct curricula: English Language and Translation, English Literature, and Anglo-American Literature. As such, SELLT offers a unique academic environment, fostering both depth and breadth in English studies, currently unmatched in Italy. Scholarships and mobility grants are available through Sapienza University, supporting academic excellence and international collaboration. The main campus, housed in the modern “Marco Polo” building, is located in the vibrant San Lorenzo district of Rome. Courses begin in October and span a wide range of academic areas, including: American Studies, Modern Literary Discourse, Shakespeare Studies, Theatre Studies in the 21st Century, Early Modern Language and Culture, Translation Studies (Audiovisual Translation, Adaptation Studies, History of Translation), Linguistics and Sociolinguistics (Humor Studies, Multilingualism, Diatopic Varieties), History of English, Historical Linguistics, and Pragmatics, Stylistics, English Language Teaching

PhD Programme in STUDIES IN ENGLISH LITERATURES LANGUAGE AND TRANSLATION, academic year 2024-2025 (Sapienza University of Rome -Dipartimento di Studi Europei Americani e Interculturali) Read More »

International Conference “Marginalities/Marginalità” (9-11.10.2024) – Università degli Studi di Roma Tor Vergata (IT) – Conference Programme

International Conference/Convegno InternazionaleMarginalities/Marginalità9-11 October 2024 / 9-11 ottobre 2024Università degli Studi di Roma Tor Vergata (IT) Margins are the kingdom of change, transformation, fluidity, and (re)location. To stand on the margins is to be transgressive, interdicted, eccentric. To prefer the margins over the central/centralised dominant culture is to take up a space of resistance. Therefore, it is crucial to embody marginality and counterpower in order to construct, deconstruct, and reconstruct the complexity of reality. Thinking and rethinking the borders means re-evaluating space from a geocritical perspective, combining language, identity, and setting representation – be it home, a rural or urban landscape, or even a digital or scientific/science-fiction space. Strictly connected with female writing, the household space, for instance, is remarkably ambivalent: a familiar place that provides protection but also requires it, the household often becomes a “prison”, and the inside-outside dialectic eventually leads to subversion dynamics. Because of the possibilities provided by semanticization, walls – namely, dividing lines between indoors and outdoors – become somewhat destabilising despite their function to support other elements and define space. Therefore, a house can also become a place of the eccentric and the unsettling, the so-called Freudian Unheimliche. The notion of margin opens up a wide range of possibilities. Margins are frontiers that become a space of transition where different forces and individuals come in contact and alter their identities. As geographical borders, margins generate dividing lines that protect well-established political, social, and symbolic spaces. The crossing of borders, limits, and marginalities leads to issues of citizenship and belonging; and suffice it to think that some identities in movement, in the making, in transition, find it more complex to develop a sense of belonging towards a certain space, as well as to recognise themselves within it. Yet, crossing borders means opening a breech in the self, to enhance the possibilities for that self, to come to life once again. The notion of margin opens up a wide range of possibilities. Margins are frontiers that become a space of transition where different forces and individuals come in contact and alter their identities. As geographical borders, margins generate dividing lines that protect well-established political, social, and symbolic spaces. The crossing of borders, limits, and marginalities leads to issues of citizenship and belonging; and suffice it to think that some identities in movement, in the making, in transition, find it more complex to develop a sense of belonging towards a certain space, as well as to recognise themselves within it. Yet, crossing borders means opening a breech in the self, to enhance the possibilities for that self, to come to life once again. This international conference aims to foster interdisciplinary dialogues on the diverse linguistic, literary, and cultural manifestations that margins can assume within the Humanities. Scientific Coordination: Scientific Committee: Organising Committee:

International Conference “Marginalities/Marginalità” (9-11.10.2024) – Università degli Studi di Roma Tor Vergata (IT) – Conference Programme Read More »

Call for abstracts – Textus issue 3/2025 – Cross-disciplinary issue – “Text Analysis and Digital Humanities in English Studies”

Call for abstracts Textus issue 3/2025 – Cross-disciplinary issue Text Analysis and Digital Humanities in English Studies   Guest co-editors: Maristella Gatto (University of Bari) Michaela Mahlberg (University of Birmingham) Lorenzo Mastropierro (University of Insubria) Francesca Saggini (University of Tuscia) Copy Editor: Eileen Mulligan (University of Bari) Over the past decades, Digital Humanities have moved from being a niche discipline to a fast-growing research field, covering all areas where the humanities meet digital methods, resources, and tools. This digital revolution has triggered paradigm shifts in disciplinary fields as diverse as philology, history, geography, music, cultural heritage, literature, and linguistics. Indeed, the impact of the digital turn in literary and linguistic studies can be felt in a number of areas, from archiving, to editing, to computer-aided critical and stylistic analysis, as well as in the development of tools for the representation and visualization of language data in texts of any kind (Schreibman et al. 2016). More crucially, the huge amount of textual data available in digital format to the literature and language scholars alike has had a significant impact on the range of research questions that it is possible to address (Hiltunen et al. 2017). Nonetheless, digital approaches to text analysis in English Studies – mostly in the field of corpus linguistics and corpus stylistics – have had limited interactions with Digital Humanities, while it is exactly these interactions that will bring about true innovation. The time has come, therefore, for corpus linguistics, literary stylistics, and Digital Humanities to finally come together as they “theoretically have much in common, but in practice more often than not operate within disciplinary boundaries” (Mahlberg and Wiegand 2020: 323). Methodological triangulation that builds on commonality and convergence among these cognate areas will be beneficial to understand further the dialogical relationship among them, and be conducive of interdisciplinary development. This issue of Textus aims to foster such interdisciplinary dialogues and encourage methodological triangulations between Digital Humanities, corpus approaches, and other methods for computer-aided text analysis in English Studies. It will provide a forum to showcase cutting-edge research and stimulate reflections on the potential of the interplay between computer-based approaches to text analysis and Digital Humanities in English Studies, from both the perspective of literature and language studies. References: Adolphs, S. and Knight, D., 2020, The Routledge Handbook of English Language and Digital Humanities, London, Routledge. Crompton, C., et al., 2016, Doing Digital Humanities. Practice, Training, Research, London, Routledge. Hiltunen, T., et al. 2017, Big and rich data in English Corpus Linguistics. Studies in Variation, Contacts and Change in English, 19, https://varieng.helsinki.fi/series/volumes/19/ Maci, S. and Sala, M., 2022, Corpus Linguistics and Translation Tools for Digital Humanities: Research Methods and Applications, London, Routledge. Mahlberg, M. 2013, Corpus Stylistics and Dickens’s Fiction, London, Routledge. Mahlberg, M. and Wiegand, V., 2020, “Literary Stylistics”, in Adolphs S. et al. (eds.), The Routledge Handbook of English Language and Digital Humanities, pp. 321-345, London, Routledge. Martin, P. E. 2022, The Digital Humanities and Literary Studies, Oxford, Oxford University Press. Underwood, T., 2019, Distant Horizons. Digital Evidence and Literary Change, Chicago, Chicago University Press. Submission of abstracts Please send abstracts to: maristella.gatto@uniba.it, m.a.mahlberg@bham.ac.uk, lorenzo.mastropierro@uninsubria.it, fsaggini@unitus.it Timeline Deadline for abstracts submission (400 words plus references): 15 December 2024. Please put as subject line “Textus Cross-disciplinary Issue 3/2025 – abstract submission” Notification to authors: 15 January 2025 Deadline for submission of first draft of article (maximum 7500 words including references): 31 May 2025 Request for revisions following peer review: 15 July 2025 Deadline for final version of article: 1 September 2025  

Call for abstracts – Textus issue 3/2025 – Cross-disciplinary issue – “Text Analysis and Digital Humanities in English Studies” Read More »

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